Summary

Portrait of Edgar Rice Burroughs Edgar Rice Burroughs The Girl from Hollywood (Munsey's Magazine 1922… (1922)

A week later the bungalow on Circle Terrace was engaged, and Grace Evans took up the work of peddling narcotics, which Shannon Burke had laid down a few months before. With this difference—Gaza de Lure had shared in the profits of the traffic, while Grace Evans got nothing more than her living, and what drugs she craved for her personal use.
Her life, her surroundings, every environment of this new and terrible world into which her ambition had introduced her, tended rapidly to ravish her beauty. She faded with a rapidity that was surprising even to Crumb—surprising and annoying.
Source: Wikisource

Portrait of Edgar Rice Burroughs Edgar Rice Burroughs The Girl from Hollywood (Munsey's Magazine 1922… (1922)

One of the first things to do, when he was released from jail, would be to do away with Bartolo. Bartolo disposed of, the other witnesses would join with Allen to lay the guilt upon the departed. Such pleasant thoughts occupied the time and mind of Slick Allen, as did also his plans for paying one Wilson Crumb a little debt he felt due this one-time friend.
Nor was Crumb free from apprehension for the time that would see Allen’s jail sentence fulfilled. He well knew the nature of the man.
Source: Wikisource

Portrait of Edgar Rice Burroughs Edgar Rice Burroughs The Girl from Hollywood (Munsey's Magazine 1922… (1922)

The only person, other than the officious reformers, to derive any happiness from young Pennington’s fate was Slick Allen. He occupied a cell not far from Custer’s, and there were occasions when they were thrown together. Several times Allen saw fit to fling gibes at his former employer, much to the amusement of his fellows.
Source: Wikisource

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