Summary

Portrait of Edgar Wallace Edgar Wallace Stamped in Gold — XIII.—A Confession (1919)

It was like Peter's voice, and yet it was not, she thought. Yet she could swear to him, the tan of his face, the stoop of his shoulders, the humor of his eyes.
“I'm saying this,” Scatwell went on, “that Mr. Bertram had nothing to do with any of the crimes which were committed in the name of The Golden Hades. He is as innocent as his daughter.
Source: Wikisource

Portrait of Edgar Wallace Edgar Wallace Stamped in Gold — XIII.—A Confession (1919)

While his companion chatted incessantly all the way out to Bertram's house, hailing such sights as might be novel to a friendly alien, or speaking of Italy and the life he had left behind him, Scatwell was silent, answering only in monosyllables. The talk of the man neither disturbed nor irritated him. It was empty but soothing, and gave him a background against which he could work out his own designs. As the car turned into the drive he gave his last instructions.
Source: Wikisource

Portrait of Edgar Wallace Edgar Wallace Stamped in Gold — XIII.—A Confession (1919)

Correlly?” she said unsteadily, “I don't understand.”
“He's here,” said Scatwell, well satisfied with the impression he had made.
“But how can he take your statement and not arrest you? It isn't true. This is a trap.”
He half turned away from her.
“Come with me,” he said. “You need not be afraid. I will not take you out of sight of the house. How Peter Correlly and I squared matters doesn't concern anybody but ourselves. As you are probably aware, certain men are not exactly angels.”
Source: Wikisource

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