Summary

Portrait of Edith Wharton Edith Wharton The Custom of the Country — Chapter XXXVII (1913)

The approach of summer, and the culmination of the Paris season, swept aside such thoughts. The Countess Raymond de Chelles, contrasting her situation with that of Mrs. Undine Marvell, and the fulness and animation of her new life with the vacant dissatisfied days which had followed on her return from Dakota, forgot the smallness of her apartment, the inconvenient proximity of Paul and his nurse, the interminable round of visits with her mother-in-law, and the long dinners in the solemn hotels of all the family connection. The world was radiant, the lights were lit, the music playing
Source: Wikisource

Portrait of Edith Wharton Edith Wharton The Custom of the Country — Chapter XXXVII (1913)

It goes to the boy, of course; but as the boy is with his mother she naturally enjoys the income. And her father's a rich man--much richer than is generally known; I mean what WE call rich in America, you understand!"
Madame de Trezac had lately discovered that the proper attitude for the American married abroad was that of a militant patriotism; and she flaunted Undine Marvell in the face of the Faubourg like a particularly showy specimen of her national banner.
Source: Wikisource

Portrait of Edith Wharton Edith Wharton The Custom of the Country — Chapter XXXVII (1913)

As to her earlier experiences, she had frankly forgotten them: her sentimental memories went back no farther than the beginning of her New York career.
Raymond seemed to attach more importance to love, in all its manifestations, than was usual or convenient in a husband; and she gradually began to be aware that her domination over him involved a corresponding loss of independence. Since their return to Paris she had found that she was expected to give a circumstantial report of every hour she spent away from him.
Source: Wikisource

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