Edith Wharton

Biographical details

Portrait of Edith Wharton Edith Wharton,  Artemis to Actæon (1909)

“ The faun's catch, the nymph's tremor, and the heart
Of dreaming girls, of toilers at the desk,
Apollo's challenge on the sunrise slope,
And the hiss of the night-gods mouthing flutes of hell --
All, to the dawn-wind's whisper in the reeds,
When Life first came, a shape of mystery,
Moving among us, and with random stroke
Severed, and rapt me from my silent tribe.
All this I wrung from her in that deep hour,
While Love stood murmuring: 'Play the god, poor grass!'
Now, by that hour, I am a mate to thee
Forever, Life, however spent and clogged,
And tossed back useless to my native mud!
”
Source: Wikisource

Portrait of Edith Wharton Edith Wharton,  The Reef

“ Sophy Viner appeared almost immediately, dressed for departure, her little bag on her arm. She was still pale to the point of haggardness, but with a light upon her that struck Anna with surprise. Or was it, perhaps, that she was looking at the girl with new eyes: seeing her, for the first time, not as Effie’s governess, not as Owen’s bride, but as the embodiment of that unknown peril lurking in the background of every woman’s thoughts about her lover? Anna, at any rate, with a sudden sense of estrangement, noted in her graces and snares never before perceived. ”
Source: Gutenberg

Portrait of Edith Wharton Edith Wharton,  Artemis to Actaeon, and Other Verses

“ To where our lives are but the ages' tread,
And let this year be, not the last of youth,
But first—like thee!—of some new train of hours,
If more remote from hope, yet nearer truth,
And kin to the unpetitionable powers.
ALL SOULS I A THIN moon faints in the sky o'erhead,
And dumb in the churchyard lie the dead.
Walk we not, Sweet, by garden ways,
Where the late rose hangs and the phlox delays,
But forth of the gate and down the road,
Past the church and the yews, to their dim abode.
For it's turn of the year and All Souls' night,
When the dead can hear and the dead have sight.
”
Source: Gutenberg

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