Edith Wharton

Edith Wharton

Summary

Portrait of Edith Wharton Edith Wharton The Glimpses of the Moon (1922)

He had been a coward in regard to Coral, and Susy had been sincere and courageous in regard to Strefford. Yet his mind dwelt on Coral with tenderness, with compunction, with remorse; and he was almost sure that Susy had already put Strefford utterly out of her mind.
It was the old contrast between the two ways of loving, the man's way and the woman's; and after a moment it seemed to Nick natural enough that Susy, from the very moment of finding him again, should feel neither pity nor regret, and that Strefford should already be to her as if he had never been.
Source: Wikisource

Portrait of Edith Wharton Edith Wharton The Glimpses of the Moon

Two days later Susy and Strefford sat on the terrace of the Tuileries above the Seine. She had asked him to meet her there, with the desire to avoid the crowded halls and drawing-room of the Nouveau Luxe where, even at that supposedly “dead” season, people one knew were always drifting to and fro; and they sat on a bench in the pale sunlight, the discoloured leaves heaped at their feet, and no one to share their solitude but a lame working-man and a haggard woman who were lunching together mournfully at the other end of the majestic vista.
Source: Gutenberg

Portrait of Edith Wharton Edith Wharton The Glimpses of the Moon (1922)

The exquisite Clarissa was already the predestined victim of her surroundings: her budding soul was divided from Susy's by the same barrier of incomprehension that separated the latter from Mrs. Vanderlyn. Clarissa had nothing to teach Susy but the horror of her own hard little appetites; whereas the company of the noisy argumentative Fulmers had been a school of wisdom and abnegation.
As she applied the brush to Geordie's shining head and the handkerchief to his snuffling nose, the sense of what she owed him was so borne in on Susy that she interrupted the process to catch him to her bosom.
Source: Wikisource

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