Edith Wharton

Edith Wharton

Summary

Portrait of Edith Wharton Edith Wharton,  Twilight Sleep (1927)

“ Lita was on the lounge, one long arm drooping, the other folded behind her in the immemorial attitude of sleeping beauty. Sleep lay on her lightly, as it does on those who summon it at will. It was her habitual escape from the boredom between thrills, and in such intervals of existence as she was now traversing she plunged back into it after every bout of outdoor activity.
Nona tiptoed forward and looked down on her. Who said that sleep revealed people's true natures? It only made them the more enigmatic by the added veil of its own mystery.
”
Source: Gutenberg

Portrait of Edith Wharton Edith Wharton,  Twilight Sleep (1927)

“ Rivington (how Pauline pictured it!) dashed down in her dressing-gown and crimping pins to re-arrange a table to which as much thought had been given as if a feudal aristocracy were to sit at it.
To Pauline the fact that Manford wanted to be alone with her made even such renunciations easy. How many years had passed since he had expressed such a wish? And did she owe his tardy return to the Mahatma and reduced hips, or the Inspirational Healer and renewed optimism? If only a woman could guess what inclined a man's heart to her, what withdrew it!
”
Source: Wikisource

Portrait of Edith Wharton Edith Wharton,  Twilight Sleep (1927)

“ Nona nodded.
"Well, what's to be done: can you tell me?"
"She mustn't go—we mustn't let her."
"But if she stays—stays hating me?"
"Oh, Jim, not hating—!"
"You know well enough that she gets to hate anything that doesn't amuse her."
"But there's the baby. The baby still amuses her."
He looked at her, surprised. "Ah, that's what father says: he calls the baby, poor old chap, my hostage. What rot! As if I'd take her baby from her—and just because she cares for it. If I don't know how to keep her, I don't see that I've got any right to keep her child."
”
Source: Wikisource

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