F. Scott Fitzgerald

F. Scott Fitzgerald

Summary

Portrait of F. Scott Fitzgerald F. Scott Fitzgerald,  All the Sad Young Men (1926)

“ They think, deep in their hearts, that they are better than we are because we had to discover the compensations and refuges of life for ourselves. Even when they enter deep into our world or sink below us, they still think that they are better than we are. They are different. The only way I can describe young Anson Hunter is to approach him as if he were a foreigner and cling stubbornly to my point of view. If I accept his for a moment I am lost—I have nothing to show but a preposterous movie. ”
Source: Gutenberg

Portrait of F. Scott Fitzgerald F. Scott Fitzgerald,  All the Sad Young Men (1926)

“ The tune the piano was playing at that moment had been gay and new five years before when Dexter was a sophomore at college. They had played it at a prom once when he could not afford the luxury of proms, and he had stood outside the gymnasium and listened. The sound of the tune precipitated in him a sort of ecstasy and it was with that ecstasy he viewed what happened to him now. It was a mood of intense appreciation, a sense that, for once, he was magnificently attune to life and that everything about him was radiating a brightness and a glamour he might never know again. ”
Source: Gutenberg

Portrait of F. Scott Fitzgerald F. Scott Fitzgerald,  All the Sad Young Men (1926)

“ When Paula was divorced and almost immediately remarried to another Bostonian, he talked about her to me all one afternoon. He would never love any one as he had loved Paula, but he insisted that he no longer cared.
"I'll never marry," he came to say; "I've seen too much of it, and I know a happy marriage is a very rare thing. Besides, I'm too old."
But he did believe in marriage. Like all men who spring from a happy and successful marriage, he believed in it passionately—nothing he had seen would change his belief, his cynicism dissolved upon it like air.
”
Source: Gutenberg

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