Louis Joseph Vance

Louis Joseph Vance

Summary

Portrait of Louis Joseph Vance Louis Joseph Vance The Lone Wolf (1918)

It was as if sleep had not only repaired the ravages of fatigue upon the tissues of his brain and body, but had mended the tissues of his soul as well. His thoughts were fluent in fresh channels, his interests no longer the interests of the Michael Lanyard he had known, no longer self-centred, the interests of the absolute ego. He was concerned less for himself, even now when he should be most gravely so, than for another, for the girl Lucia Bannon, who was nothing to him, whom he had yet to know for twenty-four hours, but of whom he could not cease to think if he would.
Source: Wikisource

Portrait of Louis Joseph Vance Louis Joseph Vance The Lone Wolf (1918)

For the next minute or two, Lanyard fought blindly, madly, viciously, striking and kicking at random. For all that—even with one sergent hors de combat—they were three to one; and though with the ferocity of sheer desperation he shook them all off, at one time, and gained a few yards more, it was only again to be overcome and borne down, crushed beneath the weight of three.
His wind was going, his strength was leaving him. He mustered up every ounce of energy, all his wit and courage, for one last effort: fought like a cat, tooth and nail
Source: Wikisource

Portrait of Louis Joseph Vance Louis Joseph Vance The Lone Wolf (1918)

The devil! Who was he, Michael Lanyard, that held himself above such vermin, yet lived in such a way as practically to invite their advances? What right was his to resent their opening the door to confraternity, as long as he trod paths so closely parallel to theirs that only a sophist might discriminate them? What comforting distinction was to be drawn between on the one hand a blackmailer like Wertheimer, a chevalier-d'industrie like De Morbihan, or a patron of Apaches like Popinot, and on the other himself whose bread was eaten in the sweat of thievery?
Source: Wikisource

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