Louis Joseph Vance

Louis Joseph Vance

Summary

Portrait of Louis Joseph Vance Louis Joseph Vance The Brass Bowl (1907)

In the east a band of pallid light lifted up out of the night, and the horizon took shape against it, stark and black. Slowly, stealthily, the formless dawn dusk spread over the sleeping world; to the zenith the light-smitten stars reeled and died, and houses, fields, and thoroughfares lay a-glimmer with ghostly twilight as the car tore headlong through the grim, unlovely, silent hinterland of Long Island City.
The gates of the ferry-house were inexorably shut against them when at last Maitland brought the big machine to a tremulous and panting halt, like that of an over-driven thoroughbred.
Source: Wikisource

Portrait of Louis Joseph Vance Louis Joseph Vance The Brass Bowl (1907)

The detective wasted no more breath. As the other car swept past, Maitland was shocked by a report and flash beside him. Hickey was using his revolver.
The detonation was answered by a cry, a scream of pain, from the lighted cage. It paused on the instant, like a bird stricken a-wing, some four floors below, but at once resumed its downward swoop.
"Down, down! After 'em!" Hickey bellowed. "I dropped one, by God! T'other can't——"
"How many in the car?" interrupted Maitland, opening the lever with a firm and careful hand.
Source: Wikisource

Portrait of Louis Joseph Vance Louis Joseph Vance The Brass Bowl (1907)

Hickey, by firing prematurely, lent him adventitious aid. The criminal replied with spirit, aiming at the flash, his bullet spattering against the back wall of the shaft. Hickey's next bullet rang with a bell-like note against the metal-work, Anisty's presumably went wide—though Maitland could have sworn he felt the cold kiss of its breath upon his cheek. And the lighted cage rocketed past and up.
Maitland needed no admonition to pursue; his blood was up, his heart singing with the lust of the man-hunt. Yet Anisty was rapidly leaving them, his car soaring at an appalling pace.
Source: Wikisource

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