Edgar Wallace

Edgar Wallace

Summary

Portrait of Edgar Wallace Edgar Wallace The Fellowship of the Frog (1926)

There was a dead silence.
“I wondered why you turned the talk to vaccination,” said Dick quietly. “I ought to have known there was something in it. What can we do?”
“I’ll tell you what you can’t do,” said Elk. “You can’t let that girl know. For good and sufficient reasons, Ray Bennett has decided not to reveal his identity, and he must pass out. You’re going to have a rotten afternoon, Captain Gordon,” said Elk gently, “and I’d rather be me than you. But you’ve got to keep up your light-hearted chatter, or that young woman is going to guess that something is wrong.”
Source: Gutenberg

Portrait of Edgar Wallace Edgar Wallace The Fellowship of the Frog (1926)

A policeman brought the Frog to them—a tall man with a week’s growth of beard, poorly dressed and grimy. His battered hat was pulled down over his eyes, his powerful wrists visible beneath the sleeves of a jacket that was made for a smaller man.
“Well, Frog?” said Elk, glowering at him. “What’s your croak?”
“Croak is a good word,” said the man, and at the sound of his voice Elk stared. “You don’t think that old police car of yours is going to reach Wandsworth, do you?”
“Who are you?” asked Elk, peering forward.
“They want Litnov badly,” said the Frog.
Source: Gutenberg

Portrait of Edgar Wallace Edgar Wallace The Fellowship of the Frog (1926)

For an eternity, as it seemed, she stood helpless, incapable of movement, and it was he who spoke.
“How many men love you, Ella Bennett?” he asked. “Gordon and Johnson—and The Frog, who loves you most of all!”
He paused, as though he expected her to speak, but she was incapable of answering him.
“Men work for women, and they murder for women, and behind all that they do, respectably or unrespectably, there is a woman,” said the Frog. “And you are that woman for me, Ella.”
Source: Gutenberg

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