Sax Rohmer

Sax Rohmer

The Yellow Claw (1915, 1920)

Summary

Portrait of Sax Rohmer Sax Rohmer The Yellow Claw (1915, 1920)

Max glanced at the white face of Helen Cumberly, then directed the ray of the little lamp toward the further end of the apartment. A steady stream of dirty water was pouring into the cave of the dragon through the open door ahead of him.
Into the disc of light, leaped, fantastic, the witch figure of the Eurasian. She turned and faced him, threw up both her arms, and laughed shrilly, insanely. Then she turned and ran like a hare, her yellow silk dress gleaming in the moving ray. Inhaling sibilantly, Max leaped after her. In three strides he found his foot splashing in water.
Source: Wikisource

Portrait of Sax Rohmer Sax Rohmer The Yellow Claw (1915, 1920)

The strange words of the Eurasian he did not construe literally; yet could he be certain that he was secure?...Nay! he could be certain that he was not!
The shaded lamp was swung in such a position that most of the light was directed upon him where he lay, whilst the walls of the room were bathed in a purple shadow. Behind him and above him, directly over the head of the bunk, a faint sound—a sound inaudible except in such a dead silence as that prevailing—told of some shutter being raised or opened.
Source: Wikisource

Portrait of Sax Rohmer Sax Rohmer The Yellow Claw

It was a horrible reality; here, in London, in modern, civilized London, he was actually buried in some incredible catacomb; somewhere near to him, very near to him, was the cave of the golden dragon, and, also adjacent—terrifying thought—was the doorless library, the rose-scented haunt where the beautiful Eurasian spoke, oracularly, the responses of Mr. King!
Soames could not understand it all; he felt that such things could not be; that there must exist an explanation of those seeming impossibilities other than that they actually existed.
Source: Gutenberg

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