Gianapolis

Definition and stakes

Portrait of Sax Rohmer Sax Rohmer,  The Yellow Claw (1915, 1920)

“ Gianapolis was a man capable of the uttermost sacrifices upon either of two shrines; that of Mammon, or that of Eros. His was a temperament (truly characteristic of his race) which can build up a structure painfully, year by year, suffering unutterable privations in the cause of its growth, only to shatter it at a blow for a woman’s smile. ”
Source: Wikisource

Portrait of Sax Rohmer Sax Rohmer,  The Yellow Claw (1915, 1920)

“ But Gianapolis was no longer radiant; all the innate evil of the man shone out through the smirking mask.
“Sit down, Soames!” he directed.
Soames, placing his bag upon the floor, seated himself in a cane armchair. The room was cheaply furnished as an office, with a roll-top desk, a revolving chair, and a filing cabinet. On a side-table stood a typewriter, and about the room were several other chairs, whilst the floor was covered with cheap linoleum. Gianapolis sat in the revolving chair, staring at the lowered blinds of the window, and brushing up the points of his black mustache.
”
Source: Wikisource

Portrait of Sax Rohmer Sax Rohmer,  The Yellow Claw (1915, 1920)

“ But the silence remained unbroken—and always his wild search brought him back to the accursed cave of the golden dragon. He began to grow dizzy; he felt that his brain was bursting. For somewhere—somewhere but a few yards removed from him—a woman was in extreme peril!
Clutching dizzily at the pedestal of the dragon, he cried at the top of his voice:—
“Miss Cumberly! For the good God’s sake answer me! Where are you?”
“Here, M. Max!” he was answered; “the door on your right...and then to your right again—quick! quick! Saints! she has killed me!”
It was Gianapolis who spoke!
”
Source: Wikisource

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