Edward Hutton

“ To begin with, the valley of the Stour. There can be few valleys in this part of England more lovely than this steep and wide vale, through the hop gardens, the woods and meadows of which, the Great Stour proceeds like a royal pilgrim, half in state to Canterbury, and on to the mystery of the marshes, and its death in the sea. Above Canterbury certainly, and all along my way, there is not a meadow nor a wood, nor indeed a single mile of that landscape, which has not been contrived and created by man, by the love and labour of our fathers through how many thousand years. ”

“ That he always loved his mother, dead so long ago, better than his father goes for nothing; that he loved his father as all men love him who has given them life is certain, he could not choose but love him. But in spite of the easy laugh, too like a sneer to be quite true or sincere, at the beginning of the Decameron, the wound he felt most nearly, that he never really forgot or quite forgave, was the death of Fiammetta, whom he had loved at first sight, with all the eagerness and fire of his youth, with all his heart, as we might say, ruthlessly keeping nothing back. ”

“ No, however we consider the great church of Winchester, it stands alone. As a mere building it is more tremendous and more venerable than anything now left to us upon English soil; as a burial place it possesses the dust not only of the Apostle of the heart of England but of the greatest of the Saxon kings, while beneath its mighty vault William Rufus sleeps, the only Norman king that lies in England. And as a shrine of art it still possesses incomparable things. It stands there as the Pyramids stand in the desert, a relic of a lost civilisation; but by it we may measure the modern world. ”

“ To enter Pisa by the Porta Nuova, coming at once into the Piazza del Duomo, is as though at midday, on the highway, one had turned aside into a secret meadow full of a strange silence and dazzling light, where have been abandoned among the wild flowers the statues of the gods. For the Piazza is just that—a meadow scattered with daisies, among which, as though forgotten, stand unbroken a Cathedral, a Baptistery, a Tower, and a Cemetery, all of marble, separate and yet one in the consummate beauty of their grouping. ”

“ He knows no country, no religion, no filial affection, but lives and sees only Criseyde. Every day he will thrust himself into the thickest of the fight in search of glory that he may lay it at her feet and win her praise. It is love that has made him a hero, as it made Boccaccio a poet: but both Criseyde and Fiammetta were women; what should they care for that? Troilus is a real creation, the first of those marvellous living figures who later people the Decameron: the first and the most charming, the most youthful, the most beautiful. ”

“ Indeed, to liken Rye to any other place is to do her wrong, for both in herself and in that landscape over which she broods, there is enough beauty and enough character to give her a life and a meaning altogether her own. From afar off, from Winchelsea, for instance, in the sunlight, she seems like a town in a missal, crowned by that church which seems so much bigger than it is, gay and warm and yet with something of the greyness of the sea and the sea wind about her, a place that, as so few English places do, altogether makes a picture in the mind, and is at unity with itself. ”

“ Looking ever over the Piazza stands the Perseus of Cellini, with the head of Medusa held up to the multitude, the sword still gripped in his hand. It is the masterpiece of one who, like all the greatest artists of the Renaissance—Giotto, Orcagna, Leonardo, Michelangelo, Raphael—did not confine himself to one art, but practised many. And though it would be unjust to compare such a man as Cellini with the greatest of all, yet he was great not only as a sculptor and a goldsmith, but as a man of letters and as a man of the world. ”

“ Florence is like a lily in the midst of a garden gay with wild-flowers; a broken lily that we have tied up and watered and nursed into a semblance of life, an image of ancient beauty—as it were the memento mori of that Latin spirit which contrived the Renaissance of mankind. As of old, so to-day, she stands in the plain at the foot of the Apennines, that in their sweetness and strength lend her still something of their nobility. Around her are the hills covered with olive gardens where the corn and the wine and the oil grow together between the iris and the rose ”

“ When a man comes into Canterbury to-day he comes into a dead city.
I say Canterbury is dead, for when the soul has departed from the body, that is death. Canterbury has lost its soul.
Go into the Cathedral, it is like a tomb, but a tomb that has been rifled, a whited sepulchre so void and cold that even the last trump will make there no stir. It was once the altar, the shrine, and as it were the mother of England, one of the tremendous places of Europe into which every year flocked thousands upon thousands upon thousands of men. ”

“ The glory of Pisa is the end of the Middle Age and the early dawn of the Renaissance. There, amid all the hurly-burly and terror of invasion and civil wars, she shines like a beacon beside the sea, proud, brave, and full of hope, almost the only city not altogether enslaved in a country in the grip of the barbarian, almost overwhelmed by the Lombards. And indeed, she was one of the first cities of Italy to fling off the Lombard yoke. Favoured by her position on the shores of the Tyrrhenian Sea, yet not so near the coast as to invite piracy, she waged incessant war on Greek and Saracen. ”

“ It is the Campagna in little; the great and noble mountains, the loveliest in the world are sunk to hills pure and exquisite upon which, too, we may still see the cities, here little towns and villages, as Rye, Winchelsea, Appledore, Lympne or Hythe, dear places of England of my heart, and all between them this mysterious and lowly thing not quite of this world, a graveyard one might think, as the Campagna is, a battlefield as is the Trasimeno plain, a gate and certainly an exit not only out of England but from the world and life itself. ”

“ Thus alone in this place of death Pisa lives, ah! not in the desolate streets of the modern city, but fading on the walls of her Campo Santo, a ghost among ghosts, immortalised by an alien hand.
Coming last of all to the greatest wonder of the Piazza, it is really with surprise you find the Campanile so beautiful, perhaps the most beautiful tower of Italy. It is like a lily leaning in the wind, it is like the slanting horn of an unicorn, it is like an ivory Madonna that the artist has not had the heart to carve since the ivory was so fair. ”

“ Perhaps after all the most fundamental truth about Lewes is that she is the capital of the South Downs, and the South Downs are the glory of the South Country; from the noble antiquity of Winchester to the splendour of Beachy Head they run like an indestructible line of Latin verse beneath the blazon of England. They stand up between the land and the sea, the most Roman thing in England, and of all English land it is their white brows that the sun kisses first when it rises over the sea, of all English hills every morning they are the first to be blest. ”

“ In the midst of this half-real world, so languidly joyful, in which the sky counts for so much, it is always with surprise you come upon the tremendous perfect walls of this city—walls planted all round with plane-trees, so that Lucca herself is hidden by her crown—a crown that changes as the year changes, mourning all the winter long, but in spring is set with living emeralds, a thousand and a thousand points of green fire that burst into summer's own coronet of flame-like leaves, that fades at last into the dead and sumptuous gold of autumn. ”

“ To look on the landscapes we have always known, to tread in the footsteps of our fathers, to follow the Legions down the long roads, to trudge by the same paths to the same goal as the pilgrims, to consider the silence of the old, old battlefields, to pray in forgotten holy places to almost forgotten deities, is to be made partakers of a life larger and more wonderful than that of the individual, is to be made one with England. For in the quietness of those ancient countrysides was England made by the men who begat us. ”

“ In the Leo X with the Cardinals, Giulio de' Medici and Lorenzo dei Rossi, how tactfully Raphael has contrived the light and shadow so that the fat heavy face of the Pope is not over emphasised, and you discern perfectly the beauty of the head, the delicacy of the nostrils, the clever, sensual, pathetic, witty mouth. And the hands seem to be about to move, to be a little tremulous with life, to be on the verge of a gesture, to have only just become motionless on the edge of the book. It is in these portraits that the art of Raphael is at its greatest, becomes universal, achieves immortality. ”

“ Yet how much has Rye lost! The walls of Coeur de Lion have fallen, and only one of the gates remains; but so long as the church and the beautiful strong tower of William de Ypres stand, and the narrow cobbled streets full of old and humble houses climb up and down the steep hill, the whole place is involved in their beauty and sanctity, our hearts are satisfied and our eyes engaged on behalf of a place at once so old and picturesque and yet so neat and tidy and always ready to receive a guest. ”

“ Often as I wander through those rooms or loiter in the shadow under the cloisters of the beautiful courtyard, perhaps the most lovely court in Tuscany, the remembrance of that old fierce life which desired beauty so passionately and was so eager for every superiority, comes to me, and I ask myself how the dream which that world pursued with so much simplicity and enthusiasm can have led us at last to the world of to-day, with its orderly disorder, its trams and telegraphs and steam-engines, its material comfort which, how strangely, we have mistaken for civilisation. ”

“ Brookland, hard to get at, stands on the great road which runs south- westward out of the Marsh and brings you at last out of Kent into Sussex at Rye. It was there I lingered a little to say farewell. As one looks at evening across that vast loneliness, so desolate and yet so beautiful and infinitely subject to the sky, lying between the hills and sinking so imperceptibly into the sea, one continually asks oneself what is Romney Marsh, by whom was it reclaimed from the all-devouring sea, what forces built it up and gathered from barrenness the infinite riches we see? ”