Edward Hutton

Summary

Edward Hutton Ravenna, a Study

We shall not find in Ravenna anything at all, any building, that is, or work of art, of classical antiquity; all she was, all she did, all she possessed in the great years of the empire has perished. Nor shall we find much that may have been hers in the smaller life that came to her in the beginning of the Middle Age, or that was hers in the time of the Renaissance; the memory and the dust of Dante, a few churches, a few frescoes, a few pictures, a few palaces; nothing beside. For all these we must go to Pompeii and to Rome, or to Florence, Siena, Assisi, and Venice
Source: Gutenberg

Edward Hutton Ravenna, a Study

In summer deep in dust that rises, under the heavy tread of the great oxen which draw the curiously painted carts of the countryside, in great clouds into the sky; in winter and after the autumn rains lost in the white curtain of mist that so often surrounds Ravenna, it is an almost impassable morass of mud and misery. Even at its best in spring time it is melancholy and curiously mean without any beauty or nobility of its own, though it commands so much of those vast spaces of flat and half desolate country which the sea has destroyed, on the verge of which stands the lonely church.
Source: Gutenberg

Edward Hutton Ravenna, a Study

While he waited in Ravenna an insulting challenge reached him from the barbarian Usdrilas who held Rimini. "After your boasted preparations, which have kept all Italy in a ferment, and after striking terror into our hearts by knitting your brows and looking more awful than mortal men, you have crept into Ravenna and are skulking there afraid of the very name of the Goths. Come out with all that mongrel host of barbarians to whom you want to deliver Italy and let us behold you, for the eyes of the Goths hunger for the sight of you."
Source: Gutenberg

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