Arabesque

“ In the most ancient times the Arabs had a particular taste for poetry, which among almost all people had opened a way to the most elevated and abstract studies. Their language, rich, flexible and abundant, favored their fertile imagination; their spirit lively and sententious; their eloquence natural and artless, they declaimed with energy the pieces they had composed, or they sang, accompanied with instruments, in a very expressive chorus. ”

“ Even the English language has a number of words that came as Arab guests to the feast of reason and have been adopted into our family and put into our dictionary. When you speak of algebra, ciphers, zero, alchemy, alcove, minaret, alcohol, coffee, sofa, amber, artichokes, gazelles or magazine you are using good Arabic words which nearly every Arab would understand. ”

“ Though speaking a language, copious in the extreme, the words of which have been compared to gems and flowers, literature in the strict sense of that word can hardly be said to have existed; but the Arab had a quick intellect, was always ready with a native vein of rhetoric and was easily aroused by the appeals of eloquence and charmed by the graces of poetry. ”

“ The vivacity of Arabic poetry is one of its greatest charms. Its imagery is born of the fiery imagination of the East; its proficiency in the delineation of human passion is the fruit of centuries of study, reflection, and jealous rivalry. Perfect familiarity with the poems of the pre-Islamic Bedouins, regarded as models by every generation of their descendants, was considered an indispensable qualification of every well-informed scholar. The Arabs were so deeply impressed by the potent influence of poetical genius that they assigned it a place among the kabbala of magical science. ”

“ THE LANGUAGE OF THE ANGELS The Arabs are a proud and noble race. They are proud of their liberty and of their free open-air desert customs. They are proud of their religion and of their prophet. They are proud of their history and of their patriarchal descent. But most of all, they are proud of their language, one of the oldest and most wonderful forms of human speech. Mohammed himself in his Koran, which you know is the Moslem Bible, speaks of the Arab tongue as “the language of the angels.” ”

“ An Arab in the turban of one who had been to Mecca was squatting cross-legged on the old marble pavement outside the mosque, and I just took in that he was a fine venerable fellow with an important beard, with a look of wisdom and experience in his steady glance from under the strong arches of his eyebrows that made me wish I knew Arabic, and could squat beside him, and gossip of the wide world. ”

“ To borrow a simile from a sister art; the Arab poet sets before the mental eye, the dim grand outlines of picture,which must be filled up by the reader, guided only by a few glorious touches, powerfully standing out, and by the sentiment which the scene is intended to express;whereas, we Europeans and moderns, by stippling and minute touches, produce a miniature on a large scale so objective as to exhaust rather than to arouse reflection. As the poet is a creator, the Arabs is poetry, the Europeans versical description. ”

“ He has surrendered his position as a leader in the world of the near East in order to bring the traditions and genius of the Arabic people to the attention of the Western world. And although commentators have long since acknowledged our debt in literature to the Arabs, who introduced rhyme into Europe over a thousand years ago, and historians have admitted the impetus which was given to the sciences by Arabic philosophers, yet it remains the task of a modern to introduce us in painting to the vast poetical conceptions which constitute a part of the heritage of the Arabian race mind. ”

“ There are among them professed story-tellers, who delight the listeners with fanciful tales of enchantment, adventure, and love, or perhaps they repeat, in an animated manner, some fine specimens of Arabic poetry. Thus it is, that mankind, occupying the gloomiest parts of the earth, have amusements. As the steel is made to yield its spark, so the Arab finds pleasure in the desert. ”

“ We would have a mediæval Arab telling the tales and traditions with the lays and legends of his own land in his own way, and showing the world what he has remained and how he has survived to this day, while we Westerns have progressed in culture and refinement. Above all things give us the naive and plain-spoken language of the original—such a contrast with the English of our times—and show us, by the side of these enfantillages, the accumulated wit and wisdom, life-knowledge and experience of an old-world race. ”

“ This admitted tendency of our nature, this love of the pleasing intoxication of unveracity, exaggeration, and imagination, may perhaps account for the high relish which children and nations yet in the childhood of civilization find in fabulous legends and tales of wonder. The Arab at the present day listens with eager interest to the same tales of genii and afrits, sorcerers and enchanted princesses, which delighted his ancestors in the times of Haroun al Raschid. ”

“ It is very difficult for the Western mind to dissociate the idea of Oriental poetry from the notion of amatory odes, and sonnets to the lady’s eyebrow: but even the few extracts that have been given in this chapter show that the Arab had many other subjects besides love to sing about, and though the divine theme has its place in almost every poem, it seldom rivals the prominence of war and nature-painting, and it is treated from a much less sensual point of view than that of later Arab poets. ”

“ The Arab sits beneath the arcade of his house, protected from the rays of the sun, bathing his feet in the cool spring water, and blesses Allah and the Prophet for his existence; and well he may, for his days glide tranquilly on, like the brook at his feet. Doubts and inward struggles are unknown to him; the Arab has but one God, one sword, and one horse, and wants nothing more. ”

“ There were satires on rival tribes, panegyrics on chiefs, laments for the dead. This poetry is wholly objective, artless, childlike; it is the outcome of a people still in the freshness of youth, whom the mysteries and complications of life have not yet set a-thinking. ‘Just as his language knows but the present and the past, so the ancient Arab lived but in to-day and yesterday. The future is nought to him; he seizes the present with too thorough abandonment to have an emotion left for anything beyond. ”

“ The real question is whether a word for word version of the Arabian Nights, executed with peculiar literary vigor, exact scholarship, and rare insight into Oriental modes of thought and feeling, can under any shadow of presence be classed with 'the garbage of the brothels.' In the lack of lucidity, which is supposed to distinguish English folk, our middle-class censores morum strain at the gnat of a privately circulated translation of an Arabic classic, while they daily swallow the camel of higher education based upon minute study of Greek and Latin literature. ”

“ In no other family of human speech would it be possible that the most antique and original of its dialects, the fullest in its forms, the most uncorrupted in its phonetic structure, the most faithful representative of the ideal type inherent in them all, should be the youngest of their number. But such is the character of the classical Arabic, whose earliest literary monuments are from fifteen to twenty centuries later than those of the Hebrew and Assyrian. ”

“ It is characteristic of the Arabs that they reckon caligraphy among the fine arts; and certainly any one who has seen finished examples of the work of Arab penmen must acknowledge that there is in them something more than mere dexterity and elegance,—that these wonderfully free and pure forms are controlled by the same feeling for nobility of outline which appears in all branches of Arab decorative art. ”

“ We shall not easily forget 'the splendid comet of Arab civilization that has left such a trail of light behind it,' but cannot help remarking that neither the Arab in a state of nature, nor the Moor surrounded by every refinement and luxury, seem to be much influenced by the grace and beauty around them; and in this they do not stand alone, for it is, as we said, a notable fact? that contact with what is beautiful in scenery or in art, is of itself of little worth. ”

“ The fall of the 'Umayyads and the replacing of the Arabs by the Persians commences the golden age of Arabic literature and scholarship. The older Arabic literature, that namely which was written by Arabs as yet untouched by external influences, consists entirely of poetry, the work of professional bards who sing of desert life and warfare, lament over the deserted camping grounds, boast of their tribe, and abuse their enemies. It forms a distinct class of poetic composition, which has developed its own literary standards, and attained a high standard of excellence in its way. ”

“ This artificial and ornate style inevitably degenerated into a mannerism, and finally issued in a meaningless jingle of words and the well-known oriental inflation which we find so intolerable, especially in Persian and Turkish imitations. The counterpart of this love for a striking and elegant manner of speech was, of course, a great sensibility to style on the part of hearers and readers. Eloquence was a highly-prized gift before Mohammed’s time. The pleasure which the Arabs took in beauty of language is one of the principal causes which led to their peculiar success in philology. ”

“ The characteristics of the real Arabs or Bedowins are here presented in their native simplicity. An eager desire for the property of their neighbour; an unconquerable fondness for strife and battle; a singular combination of profuse hospitality, with narrow economy—quick perception—deep cunning—great personal courage, a keen sense of honour, respect for their women, and a warm admiration and ready use of the poetical beauties of their unrivalled language. ”

“ Their eyes are marvels of beauty. They are eccentric in their habits, the very Arabs of their race—here to-day and gone to-morrow. They are gregarious and often assemble in large numbers. At times in a series of wild, rapid, devious gyrations, and uttering a low, mournful murmur, they seem to be engaged, as it were, in some solemn festival commemorative of their departed kindred. ”

“ Of the Badi'a or euphuistic style, "Parleying euphuism," and of AI Saj'a, the prose rhyme, I shall speak in a future page.
The characteristics of the whole are naivete and simplicity, clearness and a singular concision. The gorgeousness is in the imagery not in the language; the words are weak while the sense, as in the classical Scandinavian books, is strong; and here the Arabic differs diametrically from the florid exuberance and turgid amplifications of the Persian story-teller, which sound so hollow and unreal by the side of a chaster model. ”

“ The poetry of the Arabs is rhymed like ours, and is always the poetry of passion and love; but it is in their prose works, the Arabian tales of the Thousand and One Nights, that they have become most famous. Their richness of fancy in these prose tales is different from that of the other chivalric nations. The supernatural world is identical in both; but the moral world is different. The Arabian tales, like the old chivalric romances, take us to the realms of fairyland, but the human beings they introduce are very unlike. ”

“ What does the Arab see, in this mystery of beauty, in its daily recurring 'splendour and decline? Shall we say that the rising and the setting of the sun behind the hills, may not (to the rude souls of men who have learned their all from Nature) , point out the entrance of that Paradise, which their simple faith has taught them, they shall one day enter and possess? ”

“ Artist the Arab is, whether measured by tests of his command over abstract symbol or—in such media as his religion permits—vivid portrayal of nature. Of concrete things and occurrences he has the alert observation of a reporter. Upon what he sees he ponders; intensely religious, he sees the hand of Allah in many things, draws morals, and seeks meanings. ”

“ By the early twentieth century a new crop of writers, authors, poets, littèrateurs and scientific workers had been raised and was beginning to inch its way slowly to the front, receiving its stimulation from the living present rather than the dead past. Through their pens the Arabic language, rusty with age and given to the expression of traditional unprogressive thought, received a fresh polish and an injection of new life which started it on its way to becoming a vehicle capable of expressing the finest shades of scientific thought and the most delicate sentiments of the human heart. ”

“ In text "Ghayth al-Hátíl = incessant rain of small drops and widely dispread. In Arab. the names for clouds, rain and all such matters important to a pastoral race are well nigh innumerable. Poetry has seized upon the material terms and has converted them into a host of metaphors; for "the genius of the Arabic language, like that of the Hebrew, is to form new ideas by giving a metaphorical signification to material objects (e.g. 'Azud, lit. the upper arm; met. a helper) ." ”

“ Most appropriately did the old philosopher, Mohammed-al-Damiri, referring to the native eloquence and exuberant diction of his countrymen, exclaim: “Wisdom hath lighted on three things,—the brain of the Franks, the hands of the Chinese, and the tongues of the Arabs.”
The poetry of the Arabs is even more obscure in its origin than the primitive history of their race. Without the assistance of writing, no literature, however popular, can maintain its integrity for even a single generation. ”