Summary

The Book of the Thousand Nights and a Night…

The imaginative varnish of The Nights serves admirably as a foil to the absolute realism of the picture in general. We enjoy being carried away from trivial and commonplace characters, scenes and incidents; from the matter of fact surroundings of a work-a-day world, a life of eating and drinking, sleeping and waking, fighting and loving, into a society and a mise-en-scene which we suspect can exist and which we know does not. Every man at some turn or term of his life has longed for supernatural powers and a glimpse of Wonderland.
Source: Wikisource

The Book of the Thousand Nights and a Night…

But those who look only at Galland's picture, his effort to "transplant into European gardens the magic flowers of Eastern fancy," still compare his tales with the sudden prospect of magnificent mountains seen after a long desert-march: they arouse strange longings and indescribable desires; their marvellous imaginativeness produces an insensible brightening of mind and an increase of fancy-power, making one dream that behind them lies the new and unseen, the strange and unexpected--in fact, all the glamour of the unknown.
Source: Wikisource

The Book of the Thousand Nights and a Night…

Women, all the world over are what men make them; and the main charm of Amazonian fiction is to see how they live and move and have their being without any masculine guidance. But it is the old ever-new fable
"Who drew the Lion vanquished? 'Twas a man!" The books of the Ancients, written in that stage of civilisation when the sexes are at civil war, make women even more than in real life the creatures of their masters: hence from the dawn of literature to the present day the sex has been the subject of disappointed abuse and eulogy almost as unmerited.
Source: Wikisource

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