Summary

Edward Hutton Florence and Northern Tuscany with Genoa

Without the appeal of Florence or Siena or Venice or Rome, she is to-day, when they are passed away into dreams or have become little more than museums, what she has ever been, a city of business, the greatest port in the Mediterranean, a city full of various life,—here a touch of the East, there a whisper of the West, a busy, brutal, picturesque city, beauty growing up as it does in London, suddenly for a moment out of the life of the place, not made or contrived as in Paris or Florence, but naturally, a living thing, shy and evanescent.
Source: Gutenberg

Edward Hutton Florence and Northern Tuscany with Genoa

How beautiful these old towers of Vico Pisano look now among the flowers, yet once they were cruel enough: men defended them and thought nothing of their beauty, and time has spoiled them of defence and left only their beauty to be remembered. For the ancients of Pisa have met for the last time; the signory of Florence plots no more; no more will any Emperor with the pride of a barbarian, the mien of a beggar or a thief, cross the Alps, or such an one as Hawkwood was sell his prowess for a bag of silver; and if the ships of war shall ever put out from Genoa, they will be the ships of Italy.
Source: Gutenberg

Edward Hutton Florence and Northern Tuscany with Genoa

There is but little to see, you may think,—little enough but just life. For Genoa is not a museum: she lives, and the laughter of her children is the greatest of all the joyful poems of Italy, maybe the only one that is immortal.
With this thought in your heart (as it is sure to be everywhere in Italy) you return (as one continually does) to the Arcades, and turning to the left you follow them till you come to Via S. Lorenzo, in which is the Duomo all of white and black marble, a jewel with mystery in its heart, hidden away among the houses of life.
Source: Gutenberg

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