Medieval architecture

“ Thus we see that the adoption of the arched system of construction, unbiassed by any pre-existing laws of art, but aided only by the very rational desire to utilise the materials most abundantly provided by nature, led to two of the most important characteristics common to Romanesque and Gothic architecture, viz., the sub-ordinated arch and the clustered column, with the whole system of decoration derived from them; than which no two features can be pointed out which have been more richly fruitful of architectural forms the most original and beautiful. ”

“ All these studies must be followed up in distant lands, excepting only those few fragments of Roman work scattered here and there in our own and neighbouring countries—the evidences of universal empire, the footsteps and symbols of ancient servitude. How different is the study of Gothic architecture! Its original exemplars are at our own doors; the very churches, perhaps, in which from our infancy we have worshipped; the monuments of our own forefathers; the works of men bearing our own names, whose armorial badges we are still proud to use ”

“ If we transfer our researches from Greece to Rome—though we now view the vestiges of that mighty empire whose world-wide sway stretched its iron sceptre over our own land, and though we find among them the germ of the arcuated architecture which forms the nucleus of our own styles—they are still severed from us by so wide a gulf that, were it not for the modern revival of their style, they would appear perfectly alien to our race and climate. ”

“ Why, then, should we imagine that because our ideas of family comfort are more perfect than in the days of our forefathers, the style of architecture which they so successfully applied to purposes differing so widely one from another will refuse to accommodate itself to a more complete form of one of the same purposes? Yet people continually tell us that Gothic architecture is feudal and monkish! ”

“ In the fifteenth century it is the arches (mouldings) themselves which descend to the floor, and the pillars are only vertical fasces formed of all the members of these arches. After this, we demand how is it that serious men have been able to repulse, and still do repulse, the study of the architecture of the Middle Ages as having been only produced by chance? ”

“ Their excessive richness contrasts strikingly with the severe though noble simplicity of the remainder of the façade, and displays not only that tendency to lavish all the resources of art upon the doorways, which so especially characterises French art, but also illustrates, in the most striking manner, the absolute independence of the architecture of mere ornamentation, and, at the same time, the freedom with which it avails itself of it ”

“ But a national style of architecture was never reproduced by such means. It must grow up like the oak, unforced and in its native soil; and, when thus originating, its living forms become the embodiment of the polity, social history, and religious faith of the nation. Yet architecture is on this very account essentially a practical art, and even in the most gorgeous medieval cathedral a sense of fitness, and ideas of direct utility, may be traced as controlling powers influencing the whole design. ”

“ Why, then, if all its essential characteristics are to be found in ancient examples, do we call this form of dome “modern”? I would reply that, though its elementary ideas were old, their systematic combination, and the vast scale on which they were worked out, is due to the architects of the Renaissance. It is, in my opinion, their greatest achievement, being the union of the Classic with the Byzantine and the Mediæval ideals, and the working them into a feature which no previous style had produced in so complete a manner or on so noble a scale. ”

“ There can be no doubt that the principle is pre-eminently in harmony with the genius of Gothic architecture; more so, probably, than with any other; and if those who think it a vice desire to saddle it exclusively on our style, they cannot complain if we, who hold it to be a virtue, at the least, claim for that style the lion’s share of the credit. ”

“ This is the style of which we should first treat when attempting to trace the history of Mediæval architecture. It is a mistake to imagine Pointed architecture to be severed by a great gulf from the Romanesque—the Pointed Gothic from the Round: it is its legitimate offspring, or rather itself in a more advanced{51} stage of its development. The change from the round-arched to the pointed-arched Gothic is no change of essential principles ”

“ If we admire a vaulted construction, by all means let us use it, but do not let us emulate the vaulting of Diocletian’s Baths and Westminster Abbey or the domes of the Pantheon or St. Sophia in lath and plaster! If we want plaster casts of ancient monuments, let us place them in our museums, but, for goodness sake, let our buildings themselves be real! ”

“ The revived interest in the study of medieval architecture, added to the happy substitution of investigation for the older and more convenient practice of theorizing, have led to considerable attention being directed to the singular marks or symbols, apparently the works of the original builders, which are observable on all ancient churches. ”

“ When the nations of modern Europe began to emerge from the chaos of centuries, and to generate for themselves a new civilisation, their aim, as regards architecture, seems rather to have been to recover that of ancient Rome, than to generate a new style for themselves ”

“ Carrying on the same spirit a step further, Gothic architecture shapes itself instinctively to varied climate and local tradition, and that without sacrificing its leading principles. It is true that its great normal types are found in Northern Europe, and that the north of France may, perhaps, be considered as its central province ”

“ It was the greatest marvel that architectural art had produced, and it united all these magic qualities with a gravity and solemnity in the temple, a stern solidity in the castle, an asceticism in the monastery, a quiet, retiring sentiment in the seat of learning, a cheerfulness in its civic and domestic structures, and a deeply touching expression in its sepulchral monuments, which no style could possibly go beyond, and none have yet equalled. ”

“ Yet, strange to say, a large number of the architects who take in hand the so-called restoration of our ancient buildings seem utterly devoid of all feeling for their value as authentic works of olden time. I know no subject connected with architecture more mournful and distressing than the way in which our old churches are but too generally dealt with. ”

“ Differences of taste and education lead us to form varied estimates of the relative merits of the several styles of art, but the most devoted follower of classic{18} antiquity could scarcely question the absolute and intrinsic beauty of a Gothic cathedral. Every style of architecture has had its own glories. ”

“ I did not follow out the history of Gothic architecture in its succeeding stages, as my object was rather moral than merely historical, and I desired rather to exhibit the glorious earnestness of a people, who, while developing a new civilisation, pressed ardently forward,{292} side by side with it, the generation of a new style of architecture, than to give a history of the successive changes through which that architecture passed. ”

“ Ribbed vaults, Gothic mouldings, and traceried windows afford a clue to the dates of the various parts of a medieval castle, as they do to those of a church; but they are merely incidental to a type of construction to which the solid and impregnable wall is all-important. The cases are rare in which the builders of castles paid much attention to elaborate detail in the minor parts of their building: their decorative work is used with the economy and simplicity appropriate to the massive construction which their fortresses demanded. ”

“ It is absolutely necessary, too, that you should understand and be familiar with all the varieties of our old architecture, because, though you may not follow them in your own works, you may be frequently called upon to restore them, though this reason is hardly necessary to lead you to master the whole range of Mediæval art.
Still, however, you cannot choose but follow more lovingly the works of the periods which most approve themselves to your minds as the days when art was the most vigorous, noble, and full of deep and true sentiment. ”

“ The parts, too, are much better proportioned, with perhaps, the one exception of the too acute form of the main arches; the wall arcading is much more beautiful, and the details generally more richly moulded. We have, then, here, at our doors, a building whose interior is equal to that of any existing Gothic building, and we have no excuse if we do not avail ourselves of so noble an opportunity of study. ”

“ Norman architecture, then, judging of it from its principles, and throwing aside imperfections resulting from its development occurring in comparatively rude times, may, in the first place, be said to be an almost perfect carrying out into a style of art the arcuated system of construction; using, also, the simplest and most obvious form of arch, the semicircle. Roman buildings, when divested,—as in the case of aqueducts,—of Grecian or trabeated accompaniments, displayed often a perfect system of arched construction ”

“ Again, Gothic architecture unites all arts in one,{22} more, perhaps, than has been effected by any other style, or, to say the least, fully as much so.
In its normal form a stone architecture, it does not make all other materials conform to this condition, but treats them each according to its own demands. It is almost equally successful in its timber roofs as in its stone construction, and equally perfect in wood as in stone carving ”

“ In variety of expression Gothic architecture is excelled by none, being equally capable of the sternest and most majestic severity, and the most exquisite and refined elegance, as well as of all the intermediate varieties.{26}
In beauty of external outline no other style of architecture approaches it; and in the variety, depth, and refined delicacy of the profiles of its mouldings it stands unrivalled. Time would fail me to tell of the wonderful manner in which our style shapes itself to every accidental requirement; grapples with every difficulty, and converts it into a source of beauty ”

“ In England, as in France and Germany, the same Romanesque architecture had (with local varieties) grown up with the new civilisation; as it perfected itself it showed in each the same tendencies and the same yearnings, which Pointed architecture could alone satisfy. If it were so that these were at length met by suggestions from the East, it was our forefathers who fought there side by side with those of our neighbours, and the lessons learned and the trophies won were common property. ”

“ At any rate, it is fair on the part of Gothic architecture to say that in this great principle of the subordination of external design to internal requirement, it not only follows the great styles of architecture which preceded it, but that, in the opinion of its opponents, it carries out the great utilitarian principle even to an excess. ”

“ No wonder, then, that the conquerors, though but then become adepts in architecture themselves, should disdainfully reconstruct nearly all the churches and greater edifices of their predecessors in that new manner of building in which they had been so recently instructed, and for the carrying out of which their conquest had supplied them with such ample means. ”

“ The next point in the rationale of Gothic architecture is one which I by no means claim as its peculiar property, inasmuch as it is common to all good architecture, though certainly our style is somewhat pre-eminent in its adoption of it. I refer to that general principle of ornamentation which trusts mainly for beauty to the useful and constructive features of the building, rather than to those which are introduced directly for appearance. ”

“ Among all the races of Northern Europe, who were either conquered by Rome, or aided in the overthrow{9} of her empire, I do not know that any has left a vestige of what may be viewed as indicating, in any intelligible manner, the previous existence among them of a distinctive style of architecture. ”

“ Now, it is scarcely possible for a building of the Middle Ages and one for a kindred purpose at the present day to differ more widely in their requirements than did different buildings of the same age; and if the most varied demands of one period are equally met by a given style, why should we fear that the same style would fail to meet variations proceeding from a change of manners and habits? ”

“ However this may be, Gothic architecture, whether rightly or wrongly, looks to internal requirements as paramount to external regularity; places its windows rather with reference to the rooms within than to the elevations without; and rejoices in making the exterior express in some degree the changes of purpose in the internal arrangement: but it does not reject uniformity where compatible with truth and utility, nor refuse to admit of careful artistic combinations of parts, so long as they are made subservient to, or at least do not militate against, practical requirements. ”

“ It is not the column bearing the{189} weight of the arched ribs, but the latter springing vigorously upward from the column.
Who, while viewing a stately tree in the pride of its growth, ever thinks of its weight, or of the pressure of its boughs upon the stem? It is with its upward soaring that the mind becomes impressed; and just so it is with the interior of a Gothic cathedral. The perfection with which all physical forces are met has to the mind the effect, not merely of having annihilated, but of having actually reversed them. ”