Charles Bullard Fairbanks

Summary

Charles Bullard Fairbanks My Unknown Chum: "Aguecheek"

I have heard people regret that so many of our artists should expatriate themselves, and spend their lives in Rome or Florence. To me, however, nothing seems more natural; and if I were a painter, or a sculptor, I feel certain that I should share the common weakness of the profession for a place of residence in harmony with my art. What sympathy can a true artist feel with a state of society in which he is regarded by nine people out of ten as a useless member, because he does not directly aid in the production of a given quantity of grain or of cloth?
Source: Gutenberg

Charles Bullard Fairbanks My Unknown Chum: "Aguecheek"

When figs and dates become common articles of food in Lapland, and the bleak sides of the hills of New Hampshire are adorned with the graceful palm tree and the luxuriant foliage of the tropics, you may expect art to flourish in a community whose god is commerce, and whose chief religious duty is money-getting.
Truly the life of an artist in Rome is about as near the perfection of earthly happiness as is commonly vouchsafed to mortal man. The tone of society, and all the surroundings of the artist, are so congenial that no poverty nor privation can seriously interfere with them.
Source: Gutenberg

Charles Bullard Fairbanks My Unknown Chum: "Aguecheek"

The ancient emperors, with all their power, could not carry the Roman name much beyond the limits of Europe; the rulers who have succeeded them have made the majestic language of Rome familiar to two hemispheres, and have built up, by spiritual arms, the mightiest empire that the world has ever seen. For me, Rome's most enduring glories are the memories of the times when her great missionary orders civilized and evangelized the countries which her arms had won, when her martyrs sowed the seed of Christianity with their blood, and her confessors illumined the world with their virtues
Source: Gutenberg

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