Charles Lamb

“ A dull light trembled through the small and narrow apartment where, shrouded in a close volume of tobacco smoke, sat in pensive gentility—the kind—the generous—the infant-hearted Charles Lamb; the man whose elastic genius dwelled among the mouldering ruins of by-gone days, until it became steeped in beauty and expanded with philosophy—the wit—the poet—the lingering halo of the sunshine of antiquity—the phœnix of the mighty past. ”

“ In this, as we have already intimated, lies the difference between the crowd of jesters and Charles Lamb. We quit their uproarious laughter for his more quiet and pensive humour with somewhat the same feeling that we leave the noisy, though amusing, highway, for the cool landscape and the soft greensward. We reflect as we smile; the malice of our nature is rather laid to rest than called forth; a kindly and forgiving temper is excited. ”

“ Now poor Charles Lamb, now dear Charles Lamb, “Saint Charles,” if you will! Our hearts go out to him; we would comfort him if we could. But read slowly one of the finest letters in all literature: a letter in which he accepts defeat instantly, but with a smile on his face; tears there may have been in his eyes, but she was not to see them. See Lamb in his supreme rôle—of a man. How often had he urged his friends to play that difficult part—which no one could play better than he. The letter reads:—
Dear Miss Kelly,—
Your injunctions shall be obeyed to a tittle. ”

“ Not only in the Louvre, but in the world, Charles Lamb was the more timid worshipper. The whole character of his mind, the intensity of his thought within a narrow sphere, made him reverent of the Infinite. The thought of departure from the life which he now lived was to him a very solemn one. Religious ideas were so sacred to him that he never referred to them lightly, and seldom at all. ”

“ The subjects for 1830 were Suum Cuique and Brevis esse laboro. After some three or four exercise nights I confess that I was literally "at my wits' end." But a brilliant idea struck me. I had frequently, boy as I was, seen Charles Lamb at my father's house, and once, in 1825 or 1826, I had been taken to have tea with him and his sister, Mary Lamb, at their little house, Colebrook Cottage, a whitish-brown tenement, standing by itself, close to the New River, at Islington. He was very kind, as he always was to young people, and very quaint. I told him that I had devoured his "Roast Pig" ”

“ So Lamb and his sister leave their comfortable little house, and subside into the rooms of the Humpback. Their chairs, and tables, and beds also retreat; all except the ancient bookcase, full of his "ragged veterans." This I saw, years after Charles Lamb's death, in the possession of his sister, Mary. "All our furniture has faded," he writes, "under the auctioneer's hammer; going for nothing, like the tarnished frippery of the prodigal." Four years afterwards (in 1833) Lamb moves to his last home, in Church Street, Edmonton, where he is somewhat nearer to his London friends. ”

“ Charles Lamb is not jocose. He likes to theorize. Now, your prosaic theorist has a very laborious task. He tries to get all the facts under one formula. This is very ticklish business. It is like the game of Pigs in Clover. He gets all the facts but one into the inner circle. By a dexterous thrust he gets that one in, and the rest are out.
Lamb is a philosopher who does not have this trouble. He does not try to fit all the facts to one theory. That seems to him too economical, when theories are so cheap. With large-hearted generosity he provides a theory for every fact. ”

“ Of this number of the disinterested servants of literature, smaller in England than in France, Charles Lamb is one. In the making of prose he realises the principle of art for its own sake, as completely as Keats in the making of verse. And, working ever close to the concrete, to the details, great or small, of actual things, books, persons, and with no part of them blurred to his vision by the intervention of mere abstract theories, he has reached an enduring moral effect also, in a sort of boundless sympathy. ”

“ As an Essayist, Charles Lamb will be remembered, in years to come, with Rabelais and Montaigne, with Sir Thomas Browne, with Steele, and with Addison. He unites many of the finest characteristics of these several writers. He has wisdom and wit of the highest order, exquisite humor, a genuine and cordial vein of pleasantry, and the most heart-touching pathos. In the largest acceptation of the word he is a humanist. No one of the great family of authors past or present has shown in matters the most important or the most trivial so delicate and extreme a sense of all that is human. ”

“ LETTER 362 CHARLES LAMB TO VINCENT NOVELLO [P.M. Jan. 25, 1825.]
Dear Corelli, My sister's cold is as obstinate as an old Handelian, whom a modern amateur is trying to convert to Mozart-ism. As company must & always does injure it, Emma and I propose to come to you in the evening of to-morrow, instead of meeting here. An early bread-and-cheese supper at 1/2 past eight will oblige us. Loves to the Bearer of many Children. C. LAMB.
Tuesday Colebrooke.
I sign with a black seal, that you may begin to think, her cold has killed Mary, which will be an agreeable UNSURPRISE when you read the Note. ”

“ Apart from his humor and other excellences, Charles Lamb combined qualities such as are seldom united in one person; which indeed seem not easily reconcilable with each other: namely, much prudence, with much generosity; great tenderness of heart, with a firm will. To these was superadded that racy humor which has served to distinguish him from other men. There is no other writer, that I know of, in whom tenderness, and good sense, and humor are so intimately and happily blended; no one whose view of men and things is so invariably generous, and true, and independent. ”

“ There is a Charles Lamb prize, too, given every year, as fittingly should be, to the best English essayist among the Blue-Coat boys, consisting of a silver medal: on one side a laurel wreath enwrapped about the hospital’s arms; on the reverse, Lamb’s profile, his hair something too curly, his aspect somewhat smug. It would be a solace to his kindly spirit could he know that his memory is thus kept green in the school which he left with sorrow, and to which he always looked back fondly. When a man, he used to go to see the boys ”

“ But in Charles Lamb it is altogether one; his genius is talent, and his talent is genius, and his heart is as whole and one as his head. The wild words that come from him sometimes on religious subjects would shock you from the mouth of any other man, but from him they seem mere flashes of fireworks. If an argument seem to his reason not fully true, he bursts out in that odd desecrating way; yet his will, the inward man, is, I well know, profoundly religious. Watch him, when alone, and you will find him with either a Bible or an old divine, or an old English poet ”

“ C. LAMB. I shall be uneasy till I hear of Fuller's safe arrival.
[See letter to Gillman above. The "dear, fine, silly old angel" was
Thomas Fuller.]
LETTER 511 CHARLES LAMB TO JACOB VALE ASBURY [? April, 1830.]
Dear Sir—Some draughts and boluses have been brought here which we conjecture were meant for the young lady whom you saw this morning, though they are labelled for
MISS ISOLA LAMB. No such person is known on the Chase Side, and she is fearful of taking medicines which may have been made up for another patient. She begs me to say that she was born an Isola and christened Emma. ”

“ Thousands swarm forth who during week- days are confined to the mills. Gay colors alternate with snowy whiteness; extremest fashion elbows the plain demureness of old- fashioned Methodism.
Fair pale faces catch a warmer tint from the free sunshine and fresh air. The languid step becomes elastic with that "springy motion of the gait" which Charles Lamb admired. Yet the general appearance of the city is that of quietude; the youthful multitude passes on calmly, its voices subdued to a lower and softened tone, as if fearful of breaking the repose of the day of rest. ”

“ And there are men still living who would like to have known Charles Lamb himself in the flesh. There is one man still living, in Princeton, New Jersey, who, when he has kissed his Father and his Mother—in the spirit— when he has patted his dogs, and has talked with his friends, is going to hang around the Golden Staircase until he can catch the eyes of Charles Lamb, and of Mary Lamb, the Sister of Charles! ”

“ It can scarcely be said to present the life or character of Lamb in a novel aspect, and even the anecdotic material in which it abounds does not appear altogether fresh. The very manner in which the subject is treated is that to which we are accustomed: for who has ever been able to write of Charles Lamb but in a tone of tender and compassionate admiration?
Something, however, better than novelty of matter or method appears in this Memoir, and makes it the best ever written concerning the fine poet, exquisite humorist, and noble man, whom it brings nearer than ever to our hearts. ”

“ No one ever so finely commingled poetry and humour as Charles Lamb. In his transparent crystal you are always seeing one colour through another, and he was conscious of the charm of such combinations, for he commends Andrew Marvell for such refinement. ”

“ Charles Lamb, with that unerring intuition which was the most wonderful thing about his indolent luminous genius, recognized, even in the comparative sunlight of his day, the growing shadow of a speculative, disciplinal, analytic literature which should sadly overrate its own responsibilities and importance. “We turn away,” he said, “from the real essences of things to hunt after their relative shadows, moral duties; whereas, if the truth of things were fairly represented, the relative duties might be safely trusted to themselves, and moral philosophy lose the name of a science.” ”

“ Lamb was first revealed to the reading public as a great letter-writer in Talfourd's "Memorials of Charles Lamb" nearly seventy years ago. Since that time each further publication of the letters has brought fresh material to light which has but gone to strengthen Lamb's position as one of the first two or three letter-writers whose epistles have taken their places in English literature. If we must "place" our great men, there are not wanting critics who would accord Lamb a position at the very head of those in this par [61] ticular branch. ”

“ In England almost every Christmas brings a new edition of the Tales and often an imitation.
Although Mary Lamb was the true author of the book, as of Mrs. Leicester's School and of Poetry for Children, her share being much greater than her brother's in all of these, she was not until many years later associated publicly with any of them. The Tales were attributed to Charles Lamb, presumably against his wish, as we see from a sentence in the letter to Wordsworth quoted above, and the other two books had no name attached to them at all. ”

“ LETTER 271 CHARLES LAMB TO LEIGH HUNT Indifferent Wednesday [April 18] , 1821.
Dear Hunt,—There was a sort of side talk at Mr. Novello's about our spending Good Friday at Hampstead, but my sister has got so bad a cold, and we both want rest so much, that you shall excuse our putting off the visit some little time longer. Perhaps, after all, you know nothing of it.—
Believe me, yours truly, C. LAMB.
LETTER 272 CHARLES LAMB TO S.T. COLERIDGE May 1st [1821] ,
Mr. Gilman's, Highgate.
Mr. C.—I will not fail you on Friday by six, and Mary, perhaps, earlier. ”

“ Mary, who is most kind, joins in the wish.
C. LAMB. LETTER 483 CHARLES LAMB TO HENRY CRABB ROBINSON [P.M. April 17, 1829.]
I do confess to mischief. It was the subtlest diabolical piece of malice, heart of man has contrived. I have no more rheumatism than that poker. Never was freer from all pains and aches. Every joint sound, to the tip of the ear from the extremity of the lesser toe. The report of thy torments was blown circuitously here from Bury. I could not resist the jeer. I conceived you writhing, when you should just receive my congratulations. How mad you'd be. ”

“ Thus it was that Leigh Hunt referred to the essays which without doubt stand as the most characteristic of Charles Lamb's contributions to literature. His reputation, as was recognized and acknowledged within a few years of his death, "will ultimately rest on the Essays of Elia, than which our literature rejoices in few things finer."
The intimate footing upon which he puts himself and his reader, is perhaps not so much a peculiarity of his own as it is the dominant note always in the work of your born essayist. ”

“ His jests were never the mere overflowings of the animal spirits, but were exercises of the mind. He brought the wisdom of old times and old writers to bear upon the taste and intellect of his day. What was in a manner foreign to his age, he naturalized and cherished. And he did this with judgment and great delicacy. His books never unhinge or weaken the mind, but bring before it tender and beautiful thoughts, which charm and nourish it as only good books can. No one was ever worse from reading Charles Lamb's writings; but many have become wiser and better. ”

“ To him who never gave pain to a human being, whose genius yielded nothing but instruction and delight, was awarded a calm and easy death. No man, it is my belief, was ever loved or lamented more sincerely than Charles Lamb. His sister (his elder by a decade) survived him for the space of thirteen years.
By strict economy, without meanness; with much unpretending hospitality; with frequent gifts and lendings, and without any borrowing,—he accumulated, during his thirty-three years of constant labor, the moderate sum of two thousand pounds. ”