Sax Rohmer

Sax Rohmer

Summary

Portrait of Sax Rohmer Sax Rohmer,  Fire-Tongue

“ In other words, her thoughts were not entirely her own, but in a measure were promptings from that powerful will.
Indeed, her heart was beating wildly at the mere thought that she was to see Paul Harley again that very day. She had counted the hours since their last meeting, and knew exactly how many had elapsed. Because each one had seemed like twelve, she had ceased to rebel against this sweet weakness, which, for the first time in her life, had robbed her of some of her individuality, and had taught her that she was a woman to whom mastery by man is exquisite slavery.
”
Source: Gutenberg

Portrait of Sax Rohmer Sax Rohmer,  Fire-Tongue (1922)

“ Sometimes when a distant door was opened, it would be the sobs of a weeping woman, for the poor old housekeeper had been quite prostrated by the blow. Or ghostly movements would become audible from the room immediately over the library—the room to which the dead man had been carried; muffled footsteps, vague stirrings of furniture; each sound laden with its own peculiar portent, awakening the imagination which all too readily filled in the details of the scene above. Then, to spur Harley to action, came the thought that Sir Charles Abingdon had appealed to him for aid. ”
Source: Wikisource

Portrait of Sax Rohmer Sax Rohmer,  Fire-Tongue

“ I’d like to have a Montana sheriff’s posse on my heels for horse stealing, and I’ve prayed to be wrecked on a desert island like Robinson Crusoe to see if I am man enough to live it out. I want to stand my trial for murder and defend my own case, and I want to be found by the eunuchs in the harem of the Shah. I want to dive for pearls and scale the Matterhorn. I want to know where the tunnel leads to—the tunnel down under the Great Pyramid of Gizeh—and I’d love to shoot Niagara Falls in a barrel.”
“It sounds characteristic,” murmured Harley, laying the slip on the coffee table.
”
Source: Gutenberg

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