Edith Wharton,
The Descent of Man and Other Stories
“ For the moment his foremost thought was one of wonder at the way in which she had shed the phase of existence which her marriage with Haskett implied. It was as if her whole aspect, every gesture, every inflection, every allusion, were a studied negation of that period of her life. If she had denied being married to Haskett she could hardly have stood more convicted of duplicity than in this obliteration of the self which had been his wife. Waythorn started up, checking himself in the analysis of her motives. What right had he to create a fantastic effigy of her and then pass judgment on it? ”
