Summary

Portrait of Edith Wharton Edith Wharton The Descent of Man and Other Stories

For the moment his foremost thought was one of wonder at the way in which she had shed the phase of existence which her marriage with Haskett implied. It was as if her whole aspect, every gesture, every inflection, every allusion, were a studied negation of that period of her life. If she had denied being married to Haskett she could hardly have stood more convicted of duplicity than in this obliteration of the self which had been his wife.
Waythorn started up, checking himself in the analysis of her motives. What right had he to create a fantastic effigy of her and then pass judgment on it?
Source: Gutenberg

Portrait of Edith Wharton Edith Wharton The Descent of Man and Other Stories

Soul is more bruisable than flesh, and Julia was wounded in every fibre of her spirit. Her husband's personality seemed to be closing gradually in on her, obscuring the sky and cutting off the air, till she felt herself shut up among the decaying bodies of her starved hopes. A sense of having been decoyed by some world-old conspiracy into this bondage of body and soul filled her with despair. If marriage was the slow life-long acquittal of a debt contracted in ignorance, then marriage was a crime against human nature.
Source: Gutenberg

Portrait of Edith Wharton Edith Wharton The Descent of Man and Other Stories

And then, gradually, habit formed a protecting surface for his sensibilities. If he paid for each day's comfort with the small change of his illusions, he grew daily to value the comfort more and set less store upon the coin. He had drifted into a dulling propinquity with Haskett and Varick and he took refuge in the cheap revenge of satirizing the situation. He even began to reckon up the advantages which accrued from it, to ask himself if it were not better to own a third of a wife who knew how to make a man happy than a whole one who had lacked opportunity to acquire the art.
Source: Gutenberg

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