Summary

Portrait of Edith Wharton Edith Wharton New Year's Day (The 'Seventies…

One always felt, at Lizzie Hazeldean’s, that the next moment one’s grandmother and aunts might be announced; and yet so pleasantly certain that they wouldn’t be.
What is there in the atmosphere of such{139} houses that makes them so enchanting to a fastidious and imaginative youth? Why is it that “those women” (as the others call them) alone know how to put the awkward at ease, check the familiar, smile a little at the over-knowing, and yet encourage naturalness in all? The difference of atmosphere is felt on the very threshold.
Source: Gutenberg

Portrait of Edith Wharton Edith Wharton New Year's Day (The 'Seventies…

A generation later, people would have said, in reporting an affair such as Lizzie Hazeldean’s with Henry Prest: “They met in hotels”—and today who but a few superannuated spinsters, still feeding on the venom secreted in their youth, would take any interest in the tracing of such topographies?
Life has become too telegraphic for curiosity to linger on any given point in a sentimental relation; as old Sillerton Jackson, in response to my mother, grumbled through his perfect “china set”: “Fifth Avenue Hotel? They might meet in the middle of Fifth Avenue nowadays, for all that anybody cares.”
Source: Gutenberg

Portrait of Edith Wharton Edith Wharton New Year's Day (The 'Seventies…

The habit of pausing to get her bearings, of sending a circular glance around any assemblage of people, any drawing-room, concert-hall or theatre that she entered, had become so instinctive that she would have been surprised had anyone pointed out to her the unobservant expression and careless movements of the young women of her acquaintance, who also looked about them,{49} it is true, but with the vague unseeing stare of youth, and of beauty conscious only of itself.
Lizzie Hazeldean had long since come to regard most women of her age as children in the art of life.
Source: Gutenberg

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