Jesse Lynch Williams

Jesse Lynch Williams

Summary

Portrait of Jesse Lynch Williams Jesse Lynch Williams New York Sketches

Cross these tracks and you are beyond the city, in the suburbs, as much as the lateral edges of this city can have suburbs; yet this is only the distance of a long golf-hole from residences and urbanity. Here are stock-yards with squealing pigs, awful smells, deep, black mire, and then a long dock reaching far out into the Hudson, with lazy river barges flopping along-side it, and dock-rats fishing off the end—a hot, hateful walk if ever your business or pleasure calls you out there of a summer afternoon. There the typical up-town cross street ends its dreary existence.
Source: Gutenberg

Portrait of Jesse Lynch Williams Jesse Lynch Williams New York Sketches

Now this last lap of the walk—from green Madison Square and the new Martin's up the sparkling avenue to the broad, bright Plaza at the Park entrance, where the brightly polished hotels look down at the driving, with their awnings flapping and flags out straight—makes the most popular part of all the walk.
This is the land of liveried servants and jangling harness, far away, or pretending to be, from work and worry; this is where enjoyment is sought and vanity let loose—and that, with the accompanying glitter and glamour, is always more interesting to the great bulk of humanity.
Source: Gutenberg

Portrait of Jesse Lynch Williams Jesse Lynch Williams New York Sketches

But The Walk Up-town, as such, lies straight up Broadway, between the substantial old Astor House, the last large hotel remaining down-town, and the huge, obtrusive post-office building, as hideous as a badly tied bundle, but which leads us on because we know—or, if strangers, because we do not know—that when once we get beyond it we shall see the calm, unstrenuous beauty of the City Hall with its grateful lack of height, in its restful bit of park.
Source: Gutenberg

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