Edith Wharton

“ It is safe to say that there was hardly a man or woman of that crowd who had not a soldier at the front; and there before them hung the enemy's first flag—a splendid silk flag, white and black and crimson, and embroidered in gold. It was the flag of an Alsatian regiment—a regiment of Prussianized Alsace. It symbolized all they most abhorred in the whole abhorrent job that lay ahead of them; it symbolized also their finest ardour and their noblest hate, and the reason why, if every other reason failed, France could never lay down arms till the last of such flags was low. ”

“ Rhetoric is the dressing-up of conventional sentiment, eloquence the fearless expression of real emotion. And this gift of the fearless expression of emotion—fearless, that is, of ridicule, or of indifference in the hearer—has been an inestimable strength to France. It is a sign of the high average of French intelligence that feeling well-worded can stir and uplift it; that "words" are not half shamefacedly regarded as something separate from, and extraneous to, emotion, or even as a mere vent for it, but as actually animating and forming it. ”

“ In the main street there were hundreds of soldiers, pottering along in couples, chatting in groups, romping and wrestling like a crowd of school-boys, or bargaining in the shops for shell-work souvenirs and sets of post-cards; and between the dark-green and crimson uniforms was a frequent sprinkling of khaki, with the occasional pale blue of a French officer's tunic.
Before luncheon we motored over to Dunkerque. The road runs along the canal, between grass-flats and prosperous villages. ”

“ When one dropped one's eyes form these ethereal harmonies, the dark masses of masonry below them, all veiled and muffled in a mist pricked by a few altar lights, seemed to symbolize the life on earth, with its shadows, its heavy distances and its little islands of illusion. All that a great cathedral can be, all the meanings it can express, all the tranquilizing power it can breathe upon the soul, all the richness of detail it can fuse into a large utterance of strength and beauty, the cathedral of Chartres gave us in that perfect hour.
It was sunset when we reached the gates of Paris. ”

“ Soeur Julie, smiling, turned up a hob-nailed sole. "I have directed all the work on our Hospice farm myself. All the women are working in the fields—we must take the place of the men." And I seemed to see my pink peonies flowering in the very prints of her sturdy boots!
May 14th.
Nancy, the most beautiful town in France, has never been as beautiful as now. Coming back to it last evening from a round of ruins one felt as if the humbler Sisters sacrificed to spare it were pleading with one not to forget them in the contemplation of its dearly-bought perfection. ”

“ Menil-sur-Belvitte is a village on the edge of the Vosges. It is badly battered, for awful fighting took place there in the first month of the war. The houses lie in a hollow, and just beyond it the ground rises and spreads into a plateau waving with wheat and backed by wooded slopes—the ideal "battleground" of the history-books. And here a real above-ground battle of the old obsolete kind took place, and the French, driving the Germans back victoriously, fell by thousands in the trampled wheat. ”

“ When we drove up to the hotel even the grey motors and the sober uniforms seemed to sparkle under the cold sky. The continual coming and going of alert and busy messengers, the riding up of officers (for some still ride!) , the arrival of much-decorated military personages in luxurious motors, the hurrying to and fro of orderlies, the perpetual depleting and refilling of the long rows of grey vans across the square, the movements of Red Cross ambulances and the passing of detachments for the front, all these are sights that the pacific stranger could forever gape at. ”

“ It is one of the most detestable things about war that everything connected with it, except the death and ruin that result, is such a heightening of life, so visually stimulating and absorbing. "It was gay and terrible," is the phrase forever recurring in "War and Peace"; and the gaiety of war was everywhere in Cassel, transforming the lifeless little town into a romantic stage-setting full of the flash of arms and the virile animation of young faces.
From the park on top of the hill we looked down on another picture. ”

“ No one who has ever caught that stare of dumb bewilderment—or that other look of concentrated horror, full of the reflection of flames and ruins—can shake off the obsession of the Refugees. The look in their eyes is part of the look of Paris. It is the dark shadow on the brightness of the face she turns to the enemy. These poor people cannot look across the borders to eventual triumph. They belong mostly to a class whose knowledge of the world's affairs is measured by the shadow of their village steeple. ”

“ When an armed nation mobilizes, everybody is busy, and busy in a definite and pressing way. It is not only the fighters that mobilize: those who stay behind must do the same. For each French household, for each individual man or woman in France, war means a complete reorganization of life. The detachment of conscripts, unnoticed, paid their tribute to the Cause and passed on...
Looked back on from these sterner months those early days in Paris, in their setting of grave architecture and summer skies, wear the light of the ideal and the abstract. ”

“ Yet even here such suggestions are never long out of sight; for one cannot pass through Chalons without meeting, on their way from the station, a long line of "eclopes"—the unwounded but battered, shattered, frost-bitten, deafened and half-paralyzed wreckage of the awful struggle. These poor wretches, in their thousands, are daily shipped back from the front to rest and be restored; and it is a grim sight to watch them limping by, and to meet the dazed stare of eyes that have seen what one dare not picture. ”

“ We had seen evacuated towns—Verdun, Badonviller, Raon-l'Etape—but we had seen no emptiness like this. Not a human being was in the streets. Endless lines of houses looked down on us from vacant windows. Our footsteps echoed like the tramp of a crowd, our lowered voices seemed to shout. In one street we came on three English soldiers who were carrying a piano out of a house and lifting it onto a hand-cart. They stopped to stare at us, and we stared back. It seemed an age since we had seen a living being! ”

“ The French war-nurse sometimes mislays an instrument or forgets to sterilize a dressing; but she almost always finds the consoling word to say and the right tone to take with her wounded soldiers. That profound solidarity which is one of the results of conscription flowers, in war-time, in an exquisite and impartial devotion.
This, then, is what "France is like." The whole civilian part of the nation seems merged in one symbolic figure, carrying help and hope to the fighters or passionately bent above the wounded. The devotion, the self-denial, seem instinctive ”

“ In the lee of the castle we stopped to look down at the valley of the Moselle, the slate roofs of Pont-a-Mousson and the broken bridge which once linked together the two sides of the town. Nothing but the wreck of the bridge showed that we were on the edge of war. The wind was too high for firing, and we saw no reason for believing that the wood just behind the Hospice roof at our feet was seamed with German trenches and bristling with guns, or that from every slope across the valley the eye of the cannon sleeplessly glared. ”

“ This does not in the least imply that resignation is the prevailing note in the tone of France. The attitude of the French people, after fourteen months of trial, is not one of submission to unparalleled calamity. It is one of exaltation, energy, the hot resolve to dominate the disaster. In all classes the feeling is the same: every word and every act is based on the resolute ignoring of any alternative to victory. The French people no more think of a compromise than people would think of facing a flood or an earthquake with a white flag. ”

“ Some had been driven from their homes, others had seen their mills destroyed, all had been living for a year on the perilous edge of war, under the menace of reprisals too hideous to picture; yet the humour prevailing was that of any group of merry-makers in a peaceful garrison town. I have seen nothing, in my wanderings along the front, more indicative of the good-breeding of the French than the spirit of the ladies and gentlemen who sat chatting with the officers on that grassy slope of Alsace. ”

“ Another fact that kept the reality of war from Paris was the curious absence of troops in the streets. After the first rush of conscripts hurrying to their military bases it might have been imagined that the reign of peace had set in. While smaller cities were swarming with soldiers no glitter of arms was reflected in the empty avenues of the capital, no military music sounded through them. Paris scorned all show of war, and fed the patriotism of her children on the mere sight of her beauty. ”

“ It is hard to evoke, without seeming to exaggerate it, that the mood of early August: the assurance, the balance, the kind of smiling fatalism with which Paris moved to her task. It is not impossible that the beauty of the season and the silence of the city may have helped to produce this mood. War, the shrieking fury, had announced herself by a great wave of stillness. Never was desert hush more complete: the silence of a street is always so much deeper than the silence of wood or field. ”

“ And in hundreds of such houses, in dozens, in hundreds of open towns, the hand of time had been stopped, the heart of life had ceased to beat, all the currents of hope and happiness and industry been choked—not that some great military end might be gained, or the length of the war curtailed, but that, wherever the shadow of Germany falls, all things should wither at the root. ”

“ Since then its numbers have grown and grown, its dingy streams have percolated through all the currents of Paris life, so that wherever one goes, in every quarter and at every hour, among the busy confident strongly-stepping Parisians one sees these other people, dazed and slowly moving—men and women with sordid bundles on their backs, shuffling along hesitatingly in their tattered shoes, children dragging at their hands and tired-out babies pressed against their shoulders: the great army of the Refugees. ”

“ All France knows today that real "life" consists in the things that make it worth living, and that these things, for France, depend on the free expression of her national genius. If France perishes as an intellectual light and as a moral force every Frenchman perishes with her; and the only death that Frenchmen fear is not death in the trenches but death by the extinction of their national ideal. It is against this death that the whole nation is fighting ”

“ Beyond the flats and wind-mills to our left were the invisible German lines, and the staff-officer who was with us leaned forward to caution our chauffeur: "No tooting between here and Ypres." There was still a good deal of movement on the road, though it was less crowded with troops than near Poperinghe; but as we passed through the last village and approached the low line of houses ahead, the silence and emptiness widened about us. That low line was Ypres; every monument that marked it, that gave it an individual outline, is gone. It is a town without a profile. ”