Summary

Portrait of Richard Harding Davis Richard Harding Davis With the French in France and Salonika

The next day, after sunset, we saw the snow-capped peak of Mount Olympus and the lamps of a curving water-front, the long rows of green air ports that mark the French hospital ships, the cargo lights turned on the red crosses painted on their sides, the gray, grim battleships of England, France, Italy, and Greece, and a bustling torpedo-boat took us in tow, and guided us through the floating mines and into the harbor of Salonika.
If it is true that happy are the people without a history, then Salonika should be thoroughly miserable. Some people make history
Source: Gutenberg

Portrait of Richard Harding Davis Richard Harding Davis With the French in France and Salonika

On every front the men rise and lie down with death, but on no other front had I found them living so close to the graves of their former comrades. Where a man had fallen, there had he been buried, and on every hand you saw between the chalk huts, at the mouths of the pits or raised high in a niche, a pile of stones, a cross, and a soldier’s cap. Where one officer had fallen his men had built to his memory a mausoleum. It is also a shelter into which, when the shells come, they dive for safety. So that even in death he protects them.
Source: Gutenberg

Portrait of Richard Harding Davis Richard Harding Davis With the French in France and Salonika

When you walk the crowded streets it is impossible to believe that within forty miles of you millions of men are facing each other in a death grip. This is so, first, because a great wall of silence has been built between Paris and the front, and, second, because the spirit of France is too alive, too resilient, occupied with too many interests, to allow any one thing, even war, to [Pg 16] obsess it. The people of France have accepted the war as they accept the rigors of winter. They may not like the sleet and snow of winter, but they are not going to let the winter beat them.
Source: Gutenberg

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