Frederick Palmer

Frederick Palmer

Summary

Portrait of Frederick Palmer Frederick Palmer My Year of the Great War

What would the world be without French civilisation? To think of France dead was to think of cells in your own brain that had gone lifeless; of something irreparably extinguished to every man to whom civilisation means more than material power of destruction. The sense of what might be lost appealed to you at every turn in scenes once merely characteristic of a whole, each with an appeal of its own now; in the types of people who, by their conduct in this hour of trial, showed that Spartan hearts might beat in Paris—the Spartan hearts of the mass of every-day, work-a-day Parisians.
Source: Gutenberg

Portrait of Frederick Palmer Frederick Palmer My Year of the Great War

But, despite all the descriptions, the public still fails to visualise a trench. You do not see a trench with your eyes so much as with your mind and imagination. That long line where all the powers of destruction within man’s command are in deadlock has become a symbol for something which cannot be expressed by words. No one has yet really described a shell-burst, or a flash of lightning, or Niagara Falls; and no one will ever describe a trench. He cannot put any one else there. He can only be there himself.
The first time that I looked over a British parapet was in the edge of a wood.
Source: Gutenberg

Portrait of Frederick Palmer Frederick Palmer My Year of the Great War

An emperor bowed down with the weight of his people’s sacrifice, a grey, determined emperor hastening to honour the victors, covering up defeats, urging his legions on, himself at the front, never seen by the general public in the rear, a mysterious figure, not saying much and that foolish to the Allies but appealing to the Germans, rather appearing to submerge his own personality in the united patriotism of the struggle—such is the picture which the throne machinery has impressed on the German mind.
Source: Gutenberg

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