Coningsby Dawson

Coningsby Dawson

Summary

Portrait of Coningsby Dawson Coningsby Dawson The Glory of the Trenches

Dear old London—so kind, so brave, so frankly human! You're just like the chaps at the Front—you laugh when you suffer and give when you're starving; you never know when not to be generous. You wear your heart in your eyes and your lips are always ready for kissing, I think of you as one of your own flower-girls—hoarse of voice, slatternly as to corsets, with a big tumbled fringe over your forehead, and a heart so big that you can chuck away your roses to a wounded Tommy and go away yourself with an empty basket to sleep under an archway.
Source: Gutenberg

Portrait of Coningsby Dawson Coningsby Dawson The Glory of the Trenches

Only her lips hold a touch of colour; they have a childish trick of trembling when any one's wound is hurting too much. She's the first touch of home that the stretcher-cases see when they've said good-bye to the trenches. She moves down the ward; eyes follow her. When she is absent, though others take her place, she leaves a loneliness. If she meant much to men in days gone by, to-day she means more than ever. Over many dying boys she stoops as the incarnation of the woman whom, had they lived, they would have loved.
Source: Gutenberg

Portrait of Coningsby Dawson Coningsby Dawson The Glory of the Trenches

They run after us as we pass and strew us with roses. Roses! We stretch out our hands, pressing them to our lips. How long is it since we held roses in our hands? How did these girls of the London streets know that above all things we longed for flowers? It was worth it all, the mud and stench and beastliness, when it was to this that the road led back. And the girls—they're even better than the flowers; so many pretty faces made kind by compassion. Somewhere inside ourselves we're laughing; we're so happy. We don't need any one's pity; time enough for that when we start to pity ourselves.
Source: Gutenberg

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