Summary

Portrait of Coningsby Dawson Coningsby Dawson Carry On: Letters in War-Time

Were one to paint the spirit of this war he would depict a mud landscape, blasted trees, an iron sky; wading through the slush and shell-holes would come a file of bowed figures, more like outcasts from the Embankment than soldiers. They're loaded down like pack animals, their shoulders are rounded, they're wearied to death, but they go on and go on. There's no "To Glory" about what we're doing out here; there's no flash of swords or splendour of uniforms. There are only very tired men determined to carry on.
Source: Gutenberg

Portrait of Coningsby Dawson Coningsby Dawson Carry On: Letters in War-Time

America as a great nation will die, as all coward civilisations have died, unless she accepts the stigmata of sacrifice, which a divine opportunity again offers her.
If it were but possible to show those ninety millions one battlefield with its sprawling dead, its pity, its marvellous forgetfulness of self, I think then—no, they wouldn't be afraid. Fear isn't the emotion one feels—they would experience the shame of living when so many have shed their youth freely. This war is a prolonged moment of exultation for most of us—we are redeeming ourselves in our own eyes.
Source: Gutenberg

Portrait of Coningsby Dawson Coningsby Dawson Carry On: Letters in War-Time

There is no explanation save the great army phrase "Carry on." We "carry on" because, if we don't, we shall let other men down and put their lives in danger. And there's more than that—we all want to live up to the standard that prompted us to come.
One talks about splendour—but war isn't splendid except in the individual sense. A man by his own self-conquest can make it splendid for himself, but in the massed sense it's squalid. There's nothing splendid about a battlefield when the fight is ended—shreds of what once were men, tortured, levelled landscapes—the barbaric loneliness of Hell.
Source: Gutenberg

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