Coningsby Dawson

Biographical details

Portrait of Coningsby Dawson Coningsby Dawson,  The Garden Without Walls

“ In the cup of the valley, with the river sweeping round it, lay Oxford with its glistening towers and church spires. Little pin-points of fire sprang up, shining hard and frosty through the winter’s shadows. They raced through the city, as though a hundred lamp-lighters had wakened at once and were making up for lost time. Soon the somber mass was a blazing jewel, flinging up a golden blur into the night.
Ruthita hugged my arm. “Doesn’t it make you glad to be alive? I’m never so happy as when I’m alone with you, Dante. It isn’t what we say that does it. It’s just being near one another.”
”
Source: Gutenberg

Portrait of Coningsby Dawson Coningsby Dawson,  Slaves of Freedom

“ In the studio with its hint of the exotic, its canvases where pale figures raced through woodlands, its infinite yearning after beauty, its red fire burning, swinging lamps and gaping chairs, and against the window the muffled silence, Vashti looked like the materialization of a man’s desire. One arm was flung about the boy, her face leant against his shoulder, brooding out across the narrow distance at the man’s.
“How did we meet!” she echoed. “How does any one meet? In a fog, by accident, after loneliness. Sometimes it’s for better; sometimes it’s for worse. One never knows until the end.”
”
Source: Gutenberg

Portrait of Coningsby Dawson Coningsby Dawson,  Living Bayonets: A Record of the Last Push

“ I can think of no one braver than the man who stays behind with a machine gun, fighting a rearguard action and covering his comrades' road to freedom. He knows that he will receive no quarter from our people and will never live to be thanked by his own. His lot is to die alone, hated by the last human being who watches him. They're brave men; they cease fighting only when they're dead.
What a contrast between love and hatred—dreaming of our mothers to the last and smashing the sons of other mothers.
”
Source: Gutenberg

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