Ragtime

Definition and stakes

Portrait of Ruth Cranston Ruth Cranston,  The Meccas of the World (1913)

“ But this has long since ceased to be characteristic of ragtime as a whole, which takes its inspiration from every phase of nervous, precipitate American life.
In the jerky, syncopated measures, one can almost40 hear between beats the familiar rush of feet, hurrying along—stumbling—halting abruptly—only to fly ahead faster. Ragtime is the pell-mell, helter-skelter, headlong spirit of America expressed in tune; and no other people, however charmed by its peculiar fascination and wild swing, can play or dance to it like Americans. It is instinctive with them
”
Source: Gutenberg

The Book of American Negro Poetry

“ Any one who doubts that there is a peculiar heel-tickling, smile-provoking, joy-awakening, response-compelling charm in Ragtime needs only to hear a skilful performer play the genuine article, needs only to listen to its bizarre harmonies, its audacious resolutions often consisting of an abrupt jump from one key to another, its intricate rhythms in which the accents fall in the most unexpected places but in which the fundamental beat is never lost in order to be convinced. I believe it has its place as well as the music which draws from us sighs and tears. ”
Source: Gutenberg

Portrait of Daniel Gregory Mason Daniel Gregory Mason,  Contemporary Composers

“ Moderwell, to do him justice, after remarking that "ragtime is not merely syncopation—it is a certain sort of syncopation," adds "But of course this definition is not enough. Ragtime has its flavor that no [239] definition can imprison." Our ultimate question is, then, not how many people like ragtime, or how few like it, or how easily can its idiom be told from other idioms, but how expressive is it of the American temper, how full an artistic utterance can it give of the best and widest American natures? ”
Source: Gutenberg

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