Stephen Graham

Stephen Graham

Summary

Portrait of Stephen Graham Stephen Graham The gentle art of tramping (1926)

The sun is the mind, by whose light man seeks his way; the moon is the reflection of the mind on the heart, and is the emblem of melancholy and poetry.
However, of all these emblems, the coffeepot is apt to be the most real and vital. You will be on your knees morning and evening before your altar fire, abasing your brow and blowing the flames which are beneath it. Sun, moon, forest, river, road—these pass, but the coffeepot remains. It is so in life generally, and the tramp, however much a poet he may be, is a mortal like the rest of us.
Source: Gutenberg

Portrait of Stephen Graham Stephen Graham The gentle art of tramping (1926)

It is a fallacy to think that during the siesta you do not tramp; you are tramping, wandering in unknown parts, exploring the primitive, opening doors, making new connections with the great unity of which you have been a nonconscious part.
You wake with no headache, but with, instead, a freshness and eagerness. You do not start at the unfamiliar scene; you know yourself to be at home. You look upon your companion still sleeping—did you ever look upon your friend asleep—not in a bed in a hotel, or on a red sofa after dinner, or in the dim corner of a jolting train—but in Nature’s house?
Source: Gutenberg

Portrait of Stephen Graham Stephen Graham The gentle art of tramping (1926)

She shall go on and find the world a wilderness in front of her—the living and the loving all slipping behind.
Nature unfolds herself slowly like a snail if you are still in front of her. You cannot know what you are walking over till you cease walking. The lizard which has eyed you furtively from under a stone comes forth and squeaks to you—you make friends with him, in fact. And as you sit on the hillside, or lie prone under the trees of the forest, or sprawl wet-legged on the shingly beach of a mountain stream, the great door, that does not look like a door, opens.
Source: Gutenberg

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