Edith Wharton

Edith Wharton

Summary

Portrait of Edith Wharton Edith Wharton,  House of Mirth (1905)

“ She laid both hands on Gerty's shoulders, with a smile that was like sunrise on a sea strewn with wreckage.
"I can't leave you, Lily. Come and lie on my bed. Your hands are frozen—you must undress and be made warm." Gerty paused with sudden compunction. "But Mrs. Peniston—it's past midnight! What will she think?"
"She goes to bed. I have a latch-key. It doesn't matter—I can't go back there."
"There's no need to: you shall stay here. But you must tell me where you have been. Listen, Lily—it will help you to speak!" She regained Miss Bart's hands, and pressed them against her.
”
Source: Gutenberg

Portrait of Edith Wharton Edith Wharton,  House of Mirth (1905)

“ She had first imagined some physical shock, some peril of the crowded streets, since Lily was presumably on her way home from Carry Fisher's; but she now saw that other nerve-centres were smitten, and her mind trembled back from conjecture.
Lily's sobs ceased, and she lifted her head.
"There are bad girls in your slums. Tell me—do they ever pick themselves up? Ever forget, and feel as they did before?"
"Lily! you mustn't speak so—you're dreaming."
"Don't they always go from bad to worse? There's no turning back—your old self rejects you, and shuts you out."
”
Source: Gutenberg

Portrait of Edith Wharton Edith Wharton,  House of Mirth (1905)

“ The little confidential room, where a moment ago their thoughts had touched elbows like their chairs, grew to unfriendly vastness, separating her from Selden by all the length of her new vision of the future—and that future stretched out interminably, with her lonely figure toiling down it, a mere speck on the solitude.
"She is herself with a few people only; and you are one of them," she heard Selden saying. And again: "Be good to her, Gerty, won't you?" and: "She has it in her to become whatever she is believed to be—you'll help her by believing the best of her?"
”
Source: Gutenberg

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