Edith Wharton,
The Old Maid (The 'Fifties)
“ Now, as Delia glanced about her at the Léopold Robert lithographs, the family daguerreotypes, the rosewood and mahogany, she understood that she was looking at the walls of her own grave.The change had come on the day when Charlotte Lovell, cowering on that very lounge, had made her terrible avowal. Then for the first time Delia, with a kind of fearful exaltation, had heard the blind forces of life groping and crying underfoot. But on that day also she had known herself excluded from them, doomed to dwell among shadows. Life had passed her by, and left her with the Ralstons. ”
