Edith Wharton

Edith Wharton

Ethan Frome (1911)

Summary

Portrait of Edith Wharton Edith Wharton Ethan Frome (1911)

He pulled the sled out, blinking like a night-bird as he passed from the shade of the spruces into the transparent dusk of the open. The slope below them was deserted. All Starkfield was at supper, and not a figure crossed the open space before the church. The sky, swollen with the clouds that announce a thaw, hung as low as before a summer storm. He strained his eyes through the dimness, and they seemed less keen, less capable than usual.
He took his seat on the sled and Mattie instantly placed herself in front of him. Her hat had fallen into the snow and his lips were in her hair.
Source: Wikisource

Portrait of Edith Wharton Edith Wharton Ethan Frome (1911)

Ethan had imagined that his allusion might open the way to the accepted pleasantries, and these perhaps in turn to a harmless caress, if only a mere touch on her hand. But now he felt as if her blush had set a flaming guard about her. He supposed it was his natural awkwardness that made him feel so. He knew that most young men made nothing at all of giving a pretty girl a kiss, and he remembered that the night before, when he had put his arm about Mattie, she had not resisted. But that had been out-of-doors, under the open irresponsible night.
Source: Gutenberg

Portrait of Edith Wharton Edith Wharton Ethan Frome (1911)

Zeena stood beside the ruin of her treasure, stiffening into a stony image of resentment. "You got down my pickle-dish—what for?"
A bright flush flew to Mattie's cheeks. "I wanted to make the supper-table pretty," she said.
"You wanted to make the supper-table pretty; and you waited till my back was turned, and took the thing I set most store by of anything I've got, and wouldn't never use it, not even when the minister come to dinner, or Aunt Martha Pierce come over from Bettsbridge—" Zeena paused with a gasp, as if terrified by her own evocation of the sacrilege.
Source: Wikisource

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