Summary

Portrait of Willa Cather Willa Cather One of Ours — On Lovely Creek (1922)

Immediately after supper, Claude put the two wiry little blacks, Pompey and Satan, to the sleigh. The moon had been up since long before the sun went down, had been hanging pale in the sky most of the afternoon, and now it flooded the snow-terraced land with silver. It was one of those sparkling winter nights when a boy feels that though the world is very big, he himself is bigger; that under the whole crystalline blue sky there is no one quite so warm and sentient as himself, and that all this magnificence is for him.
Source: Wikisource

Portrait of Willa Cather Willa Cather One of Ours — On Lovely Creek (1922)

Claude caught up his cap and ran out of doors, down the hillside toward the barn. The sun popped up over the edge of the prairie like a broad, smiling face; the light poured across the close-cropped August pastures and the hilly, timbered windings of Lovely Creek,—a clear little stream with a sand bottom, that curled and twisted playfully about through the south section of the big Wheeler ranch. It was a fine day to go to the circus at Frankfort, a fine day to do anything; the sort of day that must, somehow, turn out well.
Source: Wikisource

Portrait of Willa Cather Willa Cather One of Ours — On Lovely Creek (1922)

Ralph's hands were never free from automobile grease—they were the red, stumpy kind that couldn't be kept clean. Claude remembered him milking in the barn by lantern light, his jewel throwing off jabbing sparkles of colour, and his fingers looking very much like the teats of the cow. That picture rose before him now, as a symbol of what successful farming led to.
The farmer raised and took to market things with an intrinsic value; wheat and corn as good as could be grown anywhere in the world, hogs and cattle that were the best of their kind.
Source: Wikisource

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