Willa Cather

Willa Cather

Summary

Portrait of Willa Cather Willa Cather One of Ours — Enid (1922)

Gladys protested, but at last consented that they should both drive her home in Claude's car. They lingered awhile, however, listening to the soft, amiable bubbling of the spring; a wise, unobtrusive voice, murmuring night and day, continually telling the truth to people who could not understand it.
When they went back to the house Enid stopped long enough to cut a bunch of heliotrope for Mrs. Farmer,—though with the sinking of the sun its rich perfume had already vanished. They left Gladys and her flowers and cresses at the gate of the white cottage, now half hidden by gaudy trumpet vines.
Source: Wikisource

Portrait of Willa Cather Willa Cather One of Ours — Enid (1922)

But we all of us have a chance, if we'll take it. Out there they haven't. It's terrible to think of all those millions that live and die in darkness."
Claude glanced up at the sombre mill house, hidden in cedars,—then off at the bright, dusty fields. He felt as if he were a little to blame for Enid's melancholy. He hadn't been very neighbourly this last year. "People can live in darkness here, too, unless they fight it. Look at me. I told you I've been moping all winter. We all feel friendly enough, but we go plodding on and never get together.
Source: Wikisource

Portrait of Willa Cather Willa Cather One of Ours — Enid (1922)

Why was life so mysteriously hard? This country itself was sad, he thought, looking about him,—and you could no more change that than you could change the story in an unhappy human face. He wished to God he were sick again; the world was too rough a place to get about in.
There was one person in the world who felt sorry for Claude that night. Gladys Farmer sat at her bedroom window for a long while, watching the stars and thinking about what she had seen plainly enough that afternoon. She had liked Enid ever since they were little girls,—and knew all there was to know about her.
Source: Wikisource

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