Edith Wharton

Edith Wharton

Summary

Portrait of Edith Wharton Edith Wharton Artemis to Actæon (1909)

The faun's catch, the nymph's tremor, and the heart
Of dreaming girls, of toilers at the desk,
Apollo's challenge on the sunrise slope,
And the hiss of the night-gods mouthing flutes of hell --
All, to the dawn-wind's whisper in the reeds,
When Life first came, a shape of mystery,
Moving among us, and with random stroke
Severed, and rapt me from my silent tribe.
All this I wrung from her in that deep hour,
While Love stood murmuring: 'Play the god, poor grass!'
Now, by that hour, I am a mate to thee
Forever, Life, however spent and clogged,
And tossed back useless to my native mud!
Source: Wikisource

Portrait of Edith Wharton Edith Wharton Artemis to Actæon (1909)

Forth from the home-lights and the hailing voices,
Forth from the last faint headland's failing line,
Till I enveloped thee from verge to verge
And hid thee in the hollow of my being?
And still, because between us hung the veil,
The myriad-tinted veil of sense, thy feet
Refused their rest, thy hands the gifts of life,
Thy heart its losses, lest some lesser face
Should blur mine image in thine upturned soul
Ere death had stamped it there. This was thy thought.
And mine?
The gods, they say, have all: not so!
Source: Wikisource

Portrait of Edith Wharton Edith Wharton Artemis to Actæon (1909)

But now the day is emptied of them all,
And night absorbs their life-blood at a draught;
And so my life lies, as the gods let fall
An empty cup from which their lips have quaffed.
Yet see—night is not . . . by translucent ways,
Up the grey void of autumn afternoon
Steals a mild crescent, charioted in haze,
And all the air is merciful as June.
The lake is a forgotten streak of day
That trembles through the hemlocks' darkling bars,
And still, my heart, still some divine delay
Upon the threshold holds the earliest stars.
Source: Wikisource

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