Edith Wharton

Edith Wharton

Summary

Portrait of Edith Wharton Edith Wharton,  The Triumph Of Night

“ The impulse to fly still drove him forward, but he began feel that he was flying from a terror of his own creating, and that the most urgent reason for escape was the need of hiding his state, of shunning other eyes till he should regain his balance.
He had spent the long hours in the train in fruitless broodings on a discouraging situation, and he remembered how his bitterness had turned to exasperation when he found that the Weymore sleigh was not awaiting him. It was absurd, of course; but, though he had joked with Rainer over Mrs. Culme’s forgetfulness, to confess it had cost a pang.
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Source: Wikisource

Portrait of Edith Wharton Edith Wharton,  The Triumph Of Night

“ Young Rainer had dropped down on the bench against the wall and pulled off one of his fur gloves to grope for a handkerchief. He tossed aside his cap and drew the handkerchief across his forehead, which was intensely white, and beaded with moisture, though his face retained a healthy glow. But Faxon’s gaze remained fastened to the hand he had uncovered: it was so long, so colourless, so wasted, so much older than the brow he passed it over.
“It’s queer—a healthy face but dying hands,” the secretary mused: he somehow wished young Rainer had kept on his glove.
”
Source: Wikisource

Portrait of Edith Wharton Edith Wharton,  The Triumph Of Night

“ Faxon thought: “My God, if I look up now they’ll both be looking at me!” To avoid raising his eyes he made as though to lift the glass to his lips; but his hand sank inert, and he looked up. Mr. Lavington’s glance was politely bent on him, but with a loosening of the strain about his heart he saw that the figure behind the chair still kept its gaze on Rainer. ”
Source: Wikisource

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