Summary

Portrait of Theodore Dreiser Theodore Dreiser Twelve Men — "Vanity, Vanity," Saith the Preacher (1919)

He was a typical multi-millionaire in the showy and even gaudy sense of the time. For if the staid and conservative and socially well-placed rich have the great houses and the ease and the luxury of paraphernalia, the bohemian rich of the X—— type have the flare, recklessness and imagination which lend to their spendings and flutterings a sparkle and a shine which the others can never hope to match.
Source: Wikisource

Portrait of Theodore Dreiser Theodore Dreiser Twelve Men — "Vanity, Vanity," Saith the Preacher (1919)

But as he walked I thought of the great house by the sea, the studio, the cars, the 40,000 roses, the crowds at his summer place, the receptions in town and out, Madame of the earrings (afterward married to a French nobleman) , and then of the letter to his mother as a boy, the broken shoes in the winter time, his denial of his parents, the telephone message from the financial tiger. "Vanity, vanity," saith the preacher. The shores of our social seas are strewn with pathetic wrecks, the whitening bone of half-sand-buried ships.
Source: Wikisource

Portrait of Theodore Dreiser Theodore Dreiser Twelve Men — "Vanity, Vanity," Saith the Preacher (1919)

His sister, who resented all this bitterly and who stood by him valiantly, repudiated, for his sake of course, his and her so-called parents and friends.
I never saw such a running to cover of "friends" in all my life. Of all those I had seen about his place and in his company, scores on scores of people reasonably well known in the arts, the stage, the worlds of finance and music, all eating his dinners, riding in his cars, drinking his wines, there was scarcely any one now who knew him anything more than "casually" or "slightly"—oh, so slightly!
Source: Wikisource

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