Glass

“ When now you notice a peeping sound and movements of vitality in the glass, look into it and you will discover to your joy and amazement a most beautiful pair, a boy and a girl, which you can contemplate with heart-felt admiration for this lovely work of nature, though their height is but six inches. They move and walk about in the glass, where in the midst there is a tree growing with all kinds of pleasant fruits. ”

“ Well! you will say that glass is a very brittle affair; it somewhat resembles ice, and is just as fragile; one little fall, and it is shivered into countless fragments; it is made by a puff, it is clouded by a breath, it is broken by a touch. ”

“ According as we contemplate glass painting from the earlier or the later standpoint, from the point of view of glass or of painting, we are sure to prefer one period to the other, to glory perhaps in the advance of painting, or to regret the lesser part that coloured glass eventually plays in the making of a window. To claim for one or the other manner that it is the true and only way, were to betray the prejudice of the partizan. Each justifies itself by the masterly work done in it, each is admirable in its way. ”

“ The glass defends the plant from the inexpedient intermeddling of little fingers; while the little eyes, just on a level with the panes of glass, can look through and learn to enjoy the beautiful, silent miracles of nature. ”

“ The balance of white and colour is just perfect, and the way the patches of deep colour are embedded, as it were, in grisaille, is skilful in the extreme. To compare them with the futile effort of the eighteenth century, opposite, is to apprehend what can be done in glass, and what cannot. The whole secret of the success of the mere craftsman where the great painter failed, is that he knew what to seek in glass,—colour, brilliancy, decorative breadth. ”

“ It is the special excellence of pictured glass, that the light, which falls merely on the outside of other pictures, is here interfused throughout the work; it illuminates the design, and invests it with a living radiance; and in requital the unfading colors transmute the common daylight into a miracle of richness and glory in its passage through the heavenly substance of the blessed and angelic shapes which throng the high-arched window. ”

“ What tales of coughing, consumptive glass-cutters, bending over wheels, their lungs cut to pieces by the myriad spicules of sharp glass, so that we, we of our class, may enjoy beauty of design and coloring! ”

“ Glass after glass in due succession,
⁠Till, borne through midriff, heart, and brain,
He mounts his throne and takes possession,—
⁠The genial Spirit of the grain!
Then comes the old Berserker madness
⁠To make each man a priest and seer,
And, with a Scandinavian gladness,
⁠Drink deeper draughts of Lager Bier! ”

“ For no one, I suppose, ever took his first batch of painted glass out of the kiln without disappointment and without wondering what use there is in such an art. For the painting when it went in was grey, and silvery, and sharp, and crisp, and firm, and brilliant. Now all is altered; all the relations of light and shade are altered; the sharpness of every brush-mark is gone, and everything is not only "washed out" to half its depth, but blurred at that. Even if you could get it, by a second painting, to look exactly as it was at first, you think: "What a waste of life! ”

“ Artificial light, too, is a very treacherous medium in which to examine glass of any kind. Any find should be examined by daylight and side by side with other pieces of whose authenticity there is no doubt. ”

“ Only one who has worked in glass, and seen his work grow from a map-like combination of white and coloured glass to the finished glass painting, knows the power the enamel gives him of controlling, softening, and enriching his effects of colour. The power it gives of suggesting form is only one, and not the most important, of its functions, and it was as vital to the work of the twelfth and thirteenth as of the fifteenth century. ”

“ VI. OLD DRINKING GLASSES These are the favourite quarry of the hunter for old glass. I prefer the more uncommon and out-of-the-way pieces myself, but the old wine glasses, goblets, cordial glasses, rummers, ale glasses, cider glasses, and so forth are so interesting, often so beautiful, and sometimes so quaint, that I do not wonder at the eager collecting of them. ”

“ As the sun equally shines through all the quarrels in the window; if the glass be bright and clear, there is a pure splendor; if it be red or green, the splendor is from the sun; but the discoloring of that light upon the wall, is from the quality of the glass. ”

“ Glass.—The Sister of Pottery is Glass. It may have been an accidental discovery, occurring when men made fire upon a sandy knoll or beach, that fire could melt and fuse sand and ashes, or sand and lime, or sand and soda or some other alkali, and with which may also have been mixed some particles of iron, or lead, or manganese, or alumina to produce that hard, lustrous, vitreous, brittle article that we call glass. ”

“ Any one appreciating the qualities of glass, and realising what can best be done in it, is disposed at first to resent the popularity of this scene-painting in glass;—one measures a work naturally by the standard of its fame;—but a workman’s very appreciation of technique must, in the end, commend to him this masterly glass painting. ”

“ When glass is introduced, it is invariably of the simplest description. In the big altar-pieces of Giovanni Bellini, of Cima, or of Carpaccio, the glass lamps that hang from the roof are in the form of little conical cups of plain outline. Amid all the elaborate staffage of Crivelli’s pictures, the lily on the table or ledge beside the Virgin stands in a little cylindrical beaker of glass, for all the world like a modern tumbler. [148] So in the next century we may search in vain in the pictures of Titian or of Veronese for elaborate examples of Venetian glass. ”

“ The broad mass of any one colour is itself made up of many various tints of glass. The accidental fusion of colour, as of red and blue into purple, is guarded against by framing, say, the blue with green, or the ruby with brownish-yellow. ”

“ Old glass is darkly brilliant. It is not whitely crystal as modern glass is; the eye can only see what it looks for, ever, and to uninstructed eyes all glass is merely glass-colour, but the experienced collector sees that there are many different tints and tinges in the crystal of glass. ”

“ Glass′-blow′er, one who blows and fashions glass; Glass′-blow′ing, the process of making glass, by taking a mass of glass reduced by heat to a viscid state, and inflating it; Glass′-coach, a coach for hire having glazed windows; Glass′-crab, the larval form of rock lobsters, &c., but formerly regarded as adults, and made into a genus or even family; Glass′-cut′ter; Glass′-cut′ting, the act or process of cutting, shaping, and ornamenting the surface of glass.—adj. Glass′-faced (Shak.) , reflecting the sentiments of another, as in a mirror.—n. Glass′ful, the contents of a glass.—adj. ”

“ The way you distribute your colour matters very much. Some in washes, some in splashes, some in spots, some in stripes. What will "not do" in one way will often be just right in the other: yes, and the very way you treat your glass when all is chosen and placed together—matt in one place, film in another, chequering, cross-hatching, clothing the raw glass with texture and bringing out its nature and its life. ”

“ I'll read enough, When I do see the very book indeed Where all my sins are writ, and that's myself.
Re-enter attendant with glass
Give me that glass, and therein will I read. No deeper wrinkles yet? Hath sorrow struck So many blows upon this face of mine And made no deeper wounds? O flatt'ring glass, Like to my followers in prosperity, Thou dost beguile me! ”

“ A perfect piece of glass, having smooth surfaces and no internal regularities, allows the rays of light falling upon it to pass through undeflected in direction, and merely changed in colour, according to the tint of the glass in question. On looking at the glass, external objects can be quite clearly seen, and much of the interest and mystery of the glass itself is lost. ”

“ The ruder and more archaic design gives in fullest measure the glory of glass—for the loss of which no quality of painting ever got in glass quite makes amends. The pictorial effects compatible with glass design are those which go with pure, brilliant and translucent colour. The ideal of a “primitive” Italian painter was more or less to be realized in glass: that of a Dutch realist was not. It is astonishing what glass painters did in the way of light and shade. ”

“ But the fact remains that heavy painting obscured the glass, that shadows rendered in opaque surface-colour lacked translucency, and that in seeking before all things the effects of shadow and relief, glass painters of the 17th century fell short of the qualities on the one hand of glass and on the other of painting. ”

“ Although glass-making is an old story to us scarce a day passes that some one does not visit us to whom the process is entirely new; and it certainly is interesting if a person has never seen it. Suppose we begin at the very beginning. In this bin, or trough, you will see the mixture or batch of which the glass is made. It is composed of red lead and the finest of white beach sand. The lead is what gives the inside of the trough its vermilion color. ”

“ Science uses the word glass in this widened meaning. Two substances may, as a matter of fact, have the same chemical composition, and one be a crystal and the other a glass. For example, quartz, if heated to a high temperature, may be fused and converted into a glass. ”

“ Glass is used in many, many ways by the human race; for example, to make bottles, tumblers, window glass, and so on, and 2all of these uses depend upon the facts which you have just illustrated, namely, that glass becomes soft when heated and hard when cooled again. ”

“ This little piece of glass, which is called a prism, because it has been sawn or cut, will do a wonderful thing, as you turn it about in the sunbeam. The ray of light, as it passes through the three-cornered bit of glass, will be turned out of its straight path, and this causes it to be split up into many colours, so that you will have a tiny rainbow, which can be seen beautifully if you allow it to fall upon a sheet of white paper; and the colours are always arranged in the same way. Look! in the centre of your rainbow there are green and yellow ”

“ But now, take a matting brush, with a film so thin that it is hardly more than dirty water; put it on the back of the glass (so as not to wash up your outline) ; badger it flat, so as just to dim the glass less than "ground [Pg 104] glass" is dimmed;—and you will find your outline look almost the same at each distance. It is the pure light that plays tricks, and it will play them through a pinhole.
And now, finally, let us say that you may do anything you can do in the painting of glass, so long as you do not lay the colour on too thick. ”

“ The cutting and putting together of the glass is called glazing, and it is this that gives the window colour; while the enamel work is spoken of as painting, and gives detail, richness, and texture.
I shall presently show that the glazing and painting are really two separate crafts, having separate origins and development, and that stained glass as we know it, or as it should be called in strict accuracy "stained-and-painted" glass, is the product of their union. ”

“ Now the side you first looked at is the side to cut on, and the side to paint on, and it is the side placed inwards when the window is put up.
The reason is this. Glass is made into sheets by being blown into bubbles, just as a child blows soap-bubbles. If you blow a soap-bubble you will see streaks playing about in it, just like the wavy streaks you notice in the glass. ”

“ HUNTING GOBLET, DOME FOOT
If you place near each other, upon a white damask cloth, a glass of Charles II date, a William and Mary glass, a George III glass, and a Victorian glass, you will notice a darkening and then a whitening in tint (though not a brightening) as your eye travels from the oldest glass to [16] the most modern. By “tint” or “tinge” I do not mean “colour,” in the sense of red or green or blue; I will deal with coloured glass later on. By “tint” or “tinge” I mean the shade of leaden, darkish hue in the metal from which the glass article was blown or moulded. ”

“ And thus, when first The image of the glass projects itself, As to our gaze it comes, it shoves ahead And drives along the air that's in the space Betwixt it and our eyes, and brings to pass That we perceive the air ere yet the glass. But when we've also seen the glass itself, Forthwith that image which from us is borne Reaches the glass, and there thrown back again Comes back unto our eyes, and driving rolls Ahead of itself another air, that then 'Tis this we see before itself, and thus It looks so far removed behind the glass. ”

“ We must not, however, forget that glass is used in our houses, along with the precious metals, to bring out the highest lights, which even the most harmonious pictures can not dispense with. The purer, the more lustrous, and more brilliant the color of the glass, the better it answers this purpose. ”

“ The Quality of Glass and the Colours Used.—At first these differ little from those used in the previous period, but as the fourteenth century proceeds, the rich intense reds and blues, with their "streakiness," their endless variety of tone and texture, which makes each piece of glass a jewel with an individuality of its own, and needing no enrichment, give way to glass of a thinner, flatter quality. ”

“ Properties and Composition of Glass Christopher Merret, our earliest English writer on glass, sets down the properties of the material under twenty-six heads, ‘by which we may easily differentiate it from all other bodies.’ From these I will select some four or five which will be sufficient for our purpose. Thus, of glass, he says: ‘’Tis a concrete of salt and sand or stones. ’Tis artificial. It melts in a strong fire. When melted ’tis tenacious and sticks together.... ”