Summary

Portrait of Viktor Rydberg Viktor Rydberg,  The Magic of the Middle Ages

“ Is it then to be wondered at that the career of man, beginning with conception in a sinful womb, has for its end, behind the portals of death, the eternal torments of a hell? All these myriads of souls created by God and clothed in garments of clay,—all these microcosms, each of which is a master-piece, the glory of creation, a being of infinite value, form, link by link, a chain extending from that nothingness out of which God has created them, to that abyss in which, after a brief life on earth, they must be tormented through countless ages, despairing and cursing their Creator. ”
Source: Gutenberg

Portrait of Viktor Rydberg Viktor Rydberg,  The Magic of the Middle Ages

“ It is not a mere accident that the art of Greece mirrors a beautiful humanity, while that of the Middle Ages loves to dwell upon monstrosities and throws itself between the extremes of awful earnestness and wild burlesque; not an accident only that the science of the Greek is rational—that he discovers the categories in Logic, and rears a most perfect structure of rigid demonstration in his Geometry, while the science of the Middle Ages on the contrary is magic,—is a doctrine of correspondencies, Astrology, Alchemy, and Sorcery. ”
Source: Gutenberg

Portrait of Viktor Rydberg Viktor Rydberg,  The Magic of the Middle Ages

“ Humanity, as well as the beautiful earth which is its abode, is under the curse of God.
The world is no longer an unbroken harmony, a moral unity. It is divided forever into two antagonistic kingdoms, those of Good and Evil. That God so wills, and permits the inevitable consequences, is confirmed by an immediate change in the structure of the universe. Death is sent forth commissioned to destroy all life. Hell opens its jaws in the once peaceful realms of earth’s bosom, and is filled with a fire which burns every thing, but consumes nothing.
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Source: Gutenberg

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