Sir J. H. Yoxall

“ Then there is attraction in the historical and social traditions which have gathered around the ware; romance lingers on in the Jacobite glasses, the Williamite glasses, the Georgian glasses, the rummers and groggers engraved and drunk from to celebrate the victories of Nelson or famous elections; and humour resides in many of the relics of the punch-bowl and six-bottle days. To honour particular occasions one’s fine old glasses may come out of the cabinet and be used at table again; I know a collector of “captain glasses” who brings them out for champagne. ”

“ Sometimes the spiral starts within the bowl; sometimes it winds round the base of the bowl; but always the ornamentation becomes a trellis-work or network when it fills up the whole stem; when it does not fill up the whole stem, it meanders down it medially, in one substantial spiral, like a corkscrew or a rope, or in two that interlace: and in the finest examples the finger can feel no ridging of the surface at all, though a slight ridging is palpable in many glasses. Now all this meant splendid workmanship—English aptitude at handicraft, the best of its kind in the world. ”

“ Also he will recognize genuine Waterford glass by its own tinge of colour, and genuine Cork glass in a similar way; he will see that old Dutch-made glass, when thick, has a smeary, milk-and-watery tint, and when thin has a flashy, meretricious absence of deep tinting: he will learn that old Stourbridge glass was whiter than antique Bristol or Newcastle glass, and sometimes was milky-white; in course of time and practice he will come to be able to “date” and “place” a piece of old glass at sight, as well as instantly to reject a fraud. ”

“ Italian is fantastic and tawdry. The French and the Italian ware was often gilded, the Dutch painted: these are features seldom seen on English and Irish glass. In place of gilding or other added external decoration the island ware presented a substance neither too thin nor too thick, bowls perfectly rounded, stems strong and stout but not bulky, too tall, or too short; feet that hold on to the table well, and are not warped and uneven. In the freak and toy pieces, too, the excellence of the workmanship is obvious. ”

“ HUNTING GOBLET, DOME FOOT
If you place near each other, upon a white damask cloth, a glass of Charles II date, a William and Mary glass, a George III glass, and a Victorian glass, you will notice a darkening and then a whitening in tint (though not a brightening) as your eye travels from the oldest glass to [16] the most modern. By “tint” or “tinge” I do not mean “colour,” in the sense of red or green or blue; I will deal with coloured glass later on. By “tint” or “tinge” I mean the shade of leaden, darkish hue in the metal from which the glass article was blown or moulded. ”

“ In pawnshops and ordinary glass-shop windows a collector sees spiral-stem wine glasses made for modern use and not intended to deceive; they are a kind of tawdrily ornamental hock glass, embodying some modern designer’s idea of what [99] is beautiful; they correspond with no antique shape of bowl, the stems are very thin and fragile, the feet are as small as or smaller than the rim of the bowl, and the spirals are parti-coloured and “tight.” No collector need be taken in by such as these—they were not made to take him in, they are ordinary articles of modern manufacture and daily commerce. ”

“ A specked, pimply surface, and a dull thickness and clumsy lumpiness or flashy thin lightness, are found in old Dutch-made glass; and this, taken in conjunction with the absence of true ring, enables a collector to reject the old ware sent over from Holland. The quality of the English and Irish glass metal comes out in the surface, too, a little; the fingers feel the surface of an old blown wine glass to be cool, smooth, hard, and yet velvety; while the surface of Waterford cut-glass has a silky feel. ”

“ Collecting is a form of education, but it is not difficult to become a knowledgeable collector of old glass. Counterfeits are sent out by the thousand, forgeries lie in wait, totally new glassware, imitative of the old, is on sale in hundreds of curio dealers’ shops, some of them otherwise honest and respectable; but only ignorance or carelessness need be taken in. A little study, a little observation, a little care, and the beginner will soon be able to avoid mistakes. Connoisseurship in old glass is less difficult than it is in old china, for example ”

“ Old glass is darkly brilliant. It is not whitely crystal as modern glass is; the eye can only see what it looks for, ever, and to uninstructed eyes all glass is merely glass-colour, but the experienced collector sees that there are many different tints and tinges in the crystal of glass. ”

“ In cut-glass there is also the confusion with moulded glass to beware of, but the finger feels the edges of cut-glass to be slightly rough—rather like woodwork edges not sand-papered off—and the eye can detect a difference between what was cut and what was moulded. In fine old cut-glass the surface feels silky, and the touch slips upon it where the cutting is shallow; moulded glass has a wavy, rounded feel. Cut-ware glass seems to be the more popular “line” of collecting in glass, so it is well to consider the kinds of cutting here ”

“ It is sometimes worth while cheaply to acquire a chipped or even a broken piece of old glass, if it is very rare in kind, form, or purpose. Chipped feet of wine glasses can be ground again, but it is hardly worth while; when the foot is almost all gone, a metal substitute can be made for it, but that is hardly worth while. I know of a Jacobite glass with a big piece out of the engraved portion cemented in again; the price of the glass is £40 all the same; but as a rule it is not worth while to acquire chipped or broken articles of old glass. ”

“ With glass there are no such boundaries, at present; anything out of the ordinary in shape, purpose, or date, may be acquired, and should be—the uncommon pieces are the best—though often because a piece is quite unusual, it will be offered you at a very low price. The smaller dealers know that from half a guinea to a couple of guineas is what they may charge for an old wine glass, according to the knobs or the spiral in its stem, but they do not know any fixed price for less common specimens, and they will sell at a hundred per cent. profit on the very small charges they themselves have paid. ”

“ A local collector may at no great cost make a donation of his treasures to the local museum. There is no public collection of Newcastle-made glass at Newcastle, for instance, or of Sunderland-made glass at Sunderland, and no local antiquary has studied the history of the fine glass products made on the Tyne and the Wear. Nobody knows which kinds of glass were made at Norwich or Lynn. A history of Stourbridge glass-making and glassware has yet to be written. So that research, that additional delight of collecting, is more open in connexion with glass than with any other well-known “line.” ”

“ Waterford cut-glass grows more and more dear to buy, from dealers who know it when they possess it—they will soon be selling it as if it were antique silver, at so much per ounce—but only last year I bought in a provincial town a captain [4] glass of this ware for 15s., though £8 was the price asked for one just like it in the West End. Now, if ever, is the time for a beginner to take up this line of collecting; old English and Irish glass will never again be so easy to find at reasonable prices as it is now. ”

“ Who, when he saw the first sand or ashes by a casual intenseness of heat melted into a metallic form, rugged with excrescences, and clouded with impurities, would have imagined that in this shapeless lump lay concealed so many conveniences of life as would in time constitute a great part of the happiness of the world? ”

“ But baluster-stem glasses are prized by most collectors according to their bigness and lumpiness of outline; the older the better, from this point of view. The massive stems are very handsome; where they touch the bowl the bowl is very thick, and because the stem and pontil-mark were big, the foot is often domed; so that the curves of the bowl, the undulations of the stem, and the domelike or high-instep-like curve of the foot make a matched and pleasant outline for the whole. Almost invariably baluster-stem glasses have folded feet. ”

“ During the next few years things which now seem oddities, because they are so unusual, may become particularly sought after, and valued because they are rare. I therefore advise the beginner to be a general and diffusing collector, leaving no genuine old piece unsnapped-up which comes within his reach and means. At present cut Waterford glass and spiral-stemmed blown wine glasses are the things most sought after by glass collectors, but they may not be so a few years [12] hence. ”

“ When the lower part is a high-shouldered decanter shape it is said to be a punch lifter, and English; when the lower part is round and shoulderless, like a club, it is Scottish and a toddy lifter. In most cases there is a fillet or collar of glass round the neck, and these are called ring-necked; the absence of the ring is rare. The bowl is of the size required for an ordinary glassful, for the lifters were used to transfer punch, toddy, or grog from the punch-bowl to the glass. ”

“ STEM A comport is a large glass stand upon which (as the name signifies) other things may be carried together. A comport consists of a large or largish glass disc, flat, with a rim to it, upheld upon a thick stem—most often a shouldered stem, in shape resembling an inverted obelisk, rising from a domed and folded foot. An old comport is a rare possession; a modern glass cake-stand, such as confectioners use, is a near approach to it in shape. ”

“ Armed with knowledge of the general tests which I give in the next chapter, a collector may enter a dealer’s shop near Bond Street or a marine stores in the Old Kent Road, a broker’s at Hackney or a cabinet-maker’s warehouse in a country town, a second-hand furniture shop at Hammersmith or the Caledonian market on a Friday; he may look into a butler’s pantry, peer into a cupboard in a kitchen corner, search amidst the dust of a lumber-room, or reach to the deep interior of a farmhouse dresser or sideboard; and almost always he will come upon a collectable bit of old glass. ”

“ Yet it is not wise to condemn and refuse as a fraud a piece of glass which shows the other four or five general evidences of genuineness simply because only slight scratching is evident; for the glass may have been standing in a cupboard unused for many years, its nose put out of joint by some change of fashion in table-ware soon after it had been bought, and have passed into a collector’s cabinet before coming into your hands for examination. Nor is it safe to suppose that the more the scratches the older the piece ”

“ In a few glasses the bowl is pale sapphire or aquamarine colour, the stem being the tint of plain glass.
“TRAFALGAR” GLASS: RUMMER ON BALUSTER STEM AND RAISED FOOT; EXAMPLE OF ELABORATE ENGRAVING
The glass collector exercises his sight and applies the [17] test; it enables him to detect a counterfeit, though in shape and general appearance it imitates the genuine antique; it is too whitely crystal, too tintless to be old. Curio-shop windows at Brighton, for instance, are full of frauds in glass, chiefly cut-glass, or glass moulded to resemble cut-glass ”

“ The collector will therefore carefully examine those parts of a piece of glass which, if it is old, may be expected to show the signs of use and wear caused by contact and movement upon hard surfaces; it is well to do this by the aid of a pocket-lens—which ought to be a glass collector’s constant companion.
In a genuine old piece the scratches are numerous, do not all run the same way, and are dust-coloured, more or less. Most counterfeits show no scratches at all, but the more elaborate forgeries show artificial scratches ”

“ Many fantastic pieces of old glass were made as curiosities or ornaments, but most old glass was made for use. Glass is easily scratched; as the wine glasses and decanters were set down upon the hard, polished mahogany of dinner-tables, after the cloth was drawn, and were moved, the feet of the wine glasses and the bases of the decanters become scratched thereby. Lustre-ornaments, glass candlesticks, or glass vases which stood upon marble or hard wood mantelpieces, being moved when maidservants were dusting, became scratched at the base. ”

“ A slight addition to the rose glass makes it truly Jacobite; thus I own a fine goblet which is made Jacobite by a monk’s-hood flower being added—a reference to General Monk. An “ordinary rose glass”—not so ordinary after all, and difficult to procure now, as well as dear to buy—which has a Stuart emblem engraved under the foot of it is allowed to pass [68] muster by the stricter collector, but what he aims at or boasts of if he possesses one is a “Jacobite glass proper.” ”

“ Yet by some such fortuitous liquefaction was mankind taught to procure a body at once in a high degree solid and transparent; which might admit the light of the sun and exclude the violence of the wind; which might extend the view of the philosopher to new ranges of existence, supply the decays of nature, and succour old age with subsidiary sight. ”