Summary

Edmund William Gosse 1911 Encyclopædia Britannica, Volume 13… (1911)

Cléopâtre, nevertheless, enjoyed a prodigious popularity, and it became the fashion to emulate as far as possible the prowess of its magnificent hero, the proud Artaban. It should be said that la Calprenède objected to his books being styled romances, and insisted that they were specimens of “history embellished with certain inventions.” He may, in opposition to his wishes, claim the doubtful praise of being, in reality, the creator of the modern historical novel.
Source: Wikisource

Edmund William Gosse 1911 Encyclopædia Britannica, Volume 13… (1911)

In this novel, for the first time, the romantic character proper to this class of books is seen undiluted; there is no intrusion of a personage who is not celebrated for his birth, his beauty or his exploits. The story deals with the adventures of a hero who visits all the sea-coasts of the world, the most remote as well as the most fabulous, in search of an ineffable princess, Alcidiane. This absurd and pretentious, yet very original piece of invention enjoyed an immense success, and historical romances of a similar class competed for the favour of the public.
Source: Wikisource

Edmund William Gosse 1911 Encyclopædia Britannica, Volume 13… (1911)

The vogue of the historical romance was carried to its height by a brother and a sister, Georges de Scudéry (1601–1667) and Madeleine de Scudéry (1608–1701) , who represented in their own persons all the extravagant, tempestuous and absurd elements of the age, and whose elephantine romances remain as portents in the history of literature. These novels—there are five of them—were signed by Georges de Scudéry, but it is believed that all were in the main written by Madeleine.
Source: Wikisource

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