Summary

Edward S. Ellis,  The Jungle Fugitives — Throwing the Riata

“ The riata, say, is hanging from the horn of the saddle—not tied, but ready for use. No vaquero who understands his trade ties his rope to his saddle. He knows that his life may depend on his ability to let go of his rope in an instant, and he isn't going to chance killing himself or his horse. You see, the vaquero might be on a side hill, and a bull or steer he wishes to catch be on a trail below him, and the ground between them to be too steep to admit of his riding down to it. ”
Source: Wikisource

Edward S. Ellis,  The Jungle Fugitives — Throwing the Riata

“ I have seen vaqueros swing a lasso swiftly almost in the midst of a thicket, and keep it clear without losing speed, and then let it drive straight as an arrow between two close trees and rope an object that could not pass where the noose had gone. Such skill, to be sure, comes only after long practice.
"Well, now we have got the noose circling about the vaquero's head, and the next thing is to let it fly. There is not much to describe about this part of throwing a riata, important though it may be. It is only incessant practice that will enable a man to make a certain cast.
”
Source: Wikisource

Edward S. Ellis,  The Jungle Fugitives — Throwing the Riata

“ A steer jumping along changes his position constantly as regards you. If you throw at his head high up the chances are that it will be away down when your rope reaches him, and you will overthrow. Now, if you pick out a foot you must reckon so that that foot will be off the ground when your rope reaches him. The noose does not travel like a bullet, and this element of time is most important.
"Of even more importance is it that the distances are gauged correctly. You remember I spoke about holding the coils lightly in two or three fingers.
”
Source: Wikisource

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