Summary

Portrait of Edward S. Van Zile Edward S. Van Zile How Chopin came to Remsen — I. Chopin's Opus 47 (1901)

Standing erect abruptly, Tom cast a defiant glance at the chattering throng behind me and hurriedly made his way through a side door from the music-room. As I turned away from the piano I saw that Signorina Molatti's eyes were fixed on his retreating figure with an expression that my worldly wisdom could not interpret. There was more of wonder than of admiration in her gaze, a gleam of questioning and longing that might, it seemed to me, readily flame into hot anger.
Source: Wikisource

Portrait of Edward S. Van Zile Edward S. Van Zile How Chopin came to Remsen — I. Chopin's Opus 47 (1901)

One of the advantages of living with a man for ten years is that one is eventually confronted by a most fascinating problem. "Why did I marry him?" is a question that adds a keen zest to existence. We derive a new interest in life from the hope that the future may provide us with an answer to this query. I can remember now, to my sorrow, that I gazed across the table at Tom's heavy, immobile face, and longed for some radical, perhaps supernatural change in the man that should render him more congenial to me, more sympathetic, less practical, matter-of-fact, commonplace.
Source: Wikisource

Portrait of Edward S. Van Zile Edward S. Van Zile How Chopin came to Remsen — I. Chopin's Opus 47 (1901)

Encore!" cried our guests. Turino was gesticulating frantically, while Mlle. Vanoni and Signorina Molatti smiled and clapped their hands in exaggerated ecstasy. I was worried by the expression that had come into Tom's face, and made my way quickly toward the piano.
"Aren't you well, my dear?" I asked, bending toward him, while the uproar behind me decreased a bit.
"What have I been doing, Winifred?" he asked, sheepishly, like one who wakens from a dream. "Get one of your damned dagos to sing, will you? I've got to have a drink or die!"
Source: Wikisource

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