Summary

Portrait of Edward S. Van Zile Edward S. Van Zile How Chopin came to Remsen — VIII. The Chopin Society (1901)

THE CHOPIN SOCIETY Molatti was a marvel of beauty that evening. Great as was my prejudice against the girl, I was forced to admit to myself, as we entered the crowded rooms of the Chopin Society, that I had never seen a handsomer creature, nor one more radiant with the joy of life. The glory of youth, the fire of genius were in her eyes. There were many striking faces in evidence that evening, faces full of the subtle charm that the worship of music frequently begets; ugly faces alight with an inward glow, symmetrical faces whose regularity was not insipid
Source: Wikisource

Portrait of Edward S. Van Zile Edward S. Van Zile How Chopin came to Remsen — VIII. The Chopin Society (1901)

His face was very grave as he watched Tom, who stood beside Molatti, evidently conversing with her with more vivacity than I had ever seen him display before.
"He's a phlegmatic, well-balanced man, in perfect health," muttered the doctor, musingly, "I am inclined to think," he went on, addressing me directly, "that your husband's case, madam, is the most remarkable that has ever come under my personal observation. I am very anxious to hear—and see—him play before saying anything further about it. You feel sure that he intends to perform to-night?"
Source: Wikisource

Portrait of Edward S. Van Zile Edward S. Van Zile How Chopin came to Remsen — VIII. The Chopin Society (1901)

The studied simplicity of her low-cut black gown, relieved by a small cluster of diamonds below the neck, harmonized with the quiet arrangement of her luxuriant dark hair, seemingly held in place by a miniature aigrette of small diamonds. The marmoreal whiteness of her perfect neck and firm, well-rounded arms was emphasized by a sharp contrast.
Source: Wikisource

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