Elizabeth Cleghorn Gaskell

Elizabeth Cleghorn Gaskell

Summary

Portrait of Elizabeth Cleghorn Gaskell Elizabeth Cleghorn Gaskell Sylvia's Lovers — Volume 1

A woman stands at the great wool-wheel, one arm extended, the other holding the thread, her head thrown back to take in all the scope of her occupation; or if it is the lesser spinning-wheel for flax—and it was this that Sylvia moved forwards to-night—the pretty sound of the buzzing, whirring motion, the attitude of the spinner, foot and hand alike engaged in the business—the bunch of gay coloured ribbon that ties the bundle of flax on the rock—all make it into a picturesque piece of domestic business that may rival harp-playing any day for the amount of softness and grace which it calls out.
Source: Gutenberg

Portrait of Elizabeth Cleghorn Gaskell Elizabeth Cleghorn Gaskell Sylvia's Lovers — Volume 1

Sylvia, standing opposite, not looking at Hester, but gazing at the ribbons in the shop window, as if hardly conscious that any one awaited the expression of her wishes, was a great contrast; ready to smile or to pout, or to show her feelings in any way, with a character as undeveloped as a child's, affectionate, wilful, naughty, tiresome, charming, anything, in fact, at present that the chances of an hour called out.
Source: Gutenberg

Portrait of Elizabeth Cleghorn Gaskell Elizabeth Cleghorn Gaskell Sylvia's Lovers — Volume 1

Many such old people set out betimes, on the Sunday afternoon to which Sylvia had been so looking forward, to scale the long flights of stone steps—worn by the feet of many generations—which led up to the parish church, placed on a height above the town, on a great green area at the summit of the cliff, which was the angle where the river and the sea met, and so overlooking both the busy crowded little town, the port, the shipping, and the bar on the one hand, and the wide illimitable tranquil sea on the other—types of life and eternity.
Source: Gutenberg

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