Summary

Portrait of Elizabeth Gaskell Elizabeth Gaskell Sylvia's Lovers — Chapter XLIII: The unknown

She dusted a chair which needed no dusting, and placed it for Sylvia, sitting down herself on a three-legged stool to mark her sense of the difference in their conditions, for there was another chair or two in the humble dwelling; and then the two fell into talk--first about Kester, whom his sister would persist in calling Christopher, as if his dignity as her elder brother was compromised by any familiar abbreviation
Source: Wikisource

Portrait of Elizabeth Gaskell Elizabeth Gaskell Sylvia's Lovers — Chapter XLIII: The unknown

He'll come in fro' t' Bank, Kester, and ask for her, a'most ivery day. And he'll bring her things in his pocket; and she's so fause, she allays goes straight to peep in, and then he shifts t' apple or t' toy into another. Eh! but she's a little fause one,'--half devouring the child with her kisses. 'And he comes and takes her a walk oftentimes, and he goes as slow as if he were quite an old man, to keep pace wi' Bella's steps. I often run upstairs and watch 'em out o' t' window
Source: Wikisource

Portrait of Elizabeth Gaskell Elizabeth Gaskell Sylvia's Lovers — Chapter XLIII: The unknown

But yo' see, if a wrote him a letter he couldn't read it; so a just comfort mysel' wi' thinkin' nobody need learn writin' unless they'n got friends as can read. But a reckon he'd ha' been glad to hear as a've getten a lodger.' Here she nodded her head in the direction of the door opening out of the house-place into the 'lean-to', which Sylvia had observed on drawing near the cottage, and the recollection of the mention of which by Kester had enabled her to identify widow Dobson's dwelling.
Source: Wikisource

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