Summary

Portrait of Emil Petaja Emil Petaja This World is Ours!

I could see right away that Starr loved to be alone. Most of the upper-floor offices were empty. My mind snagged hold of some creepy ideas as I mounted those stairs. I thought about Starr's odd ways, his odd voice, for that matter. As if he had a machine down in his throat, a talking machine designed by a clever somebody who had once heard a human voice. About how hepped Starr was on the Kiriki, how painstakingly he had drawn them. He talked about them as if they were real. Of course, being a science fiction writer myself, I understood that brand of wackiness, or thought I did.
Source: Gutenberg

Portrait of Emil Petaja Emil Petaja This World is Ours!

Max stared down at the two small charred remainders of the Kiriki advance guard and shuddered.
On the road back to New York, Max said: "Do you think they'll try it again?"
"The Kiriki? Not for a while. Like you said, they dislike war. They like it the easy way."
"Propaganda. Invasion of minds. Well, two can play at that. We'll keep Orion going—only we'll print the real story. We'll make men detest and despise the Kiriki so that any feelers they send down will send them hopping to the furthest end of space.
Source: Gutenberg

Portrait of Emil Petaja Emil Petaja This World is Ours!

The fans loved the idea of a pseudo-history of a whole constellation of systems. The Kiriki, with their breathtaking crusade of contentment, sweeping over system after system until finally it outdistanced Orion and tentacled out from their home system into deepest space.... It captured the imagination. Where would it end?
Eventually we hit Life magazine, with a big spread. The slicks went after Ric Planter, but Starr had him tied up with an iron-clad contract. After all, the conception was Starr's.
Source: Gutenberg

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